Ian Thomas Malone

Thursday

11

September 2014

2

COMMENTS

Rob Manfred’s First Act as MLB Commissioner Should be to Make the DH Universal

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It’s hard to imagine MLB without Bud Selig, who will be stepping down as Commissioner at the end of the season. Skeptics of his replacement, Rob Manfred would argue that it likely won’t be much different as Manfred was clearly Selig’s desired successor. As Selig’s tenure included several noteworthy changes to both league alignment and the game itself, we can expect that Manfred will implement his own changes at some point.

One of those should be to apply the designated hitter rule to both leagues. The DH has been widely contested since its introduction to the American League in 1973. While baseball purists despise the notion that AL teams can employ a batter who doesn’t have to take the field, there’s another factor that’s particularly relevant in the year 2014 that we should not ignore.

Economics.

NL teams are at a distinct disadvantage when it comes to acquiring the services of free agent hitters. While many players themselves dislike being the DH, feeling an extra pressure to get on base even though that’s something that even the best of them will fail to do more than 60% of the time, it offers extra security for the teams themselves. This comes in two ways.

The DH is often used for defensively challenged and aging players to keep their bats in the line-up. This helps cushion the blow of free agency that’s built on a model that forces teams to pay premiums for post-prime years. It’s highly doubtful that Robinson Cano will continue to be worth over twenty five million when he’s 40, but he wouldn’t be on the Mariners if they didn’t offer him that. Without the DH slot, they wouldn’t have been in position to do that and likely wouldn’t be in this year’s playoff race without him.

It’s also useful in that sense considering that younger players can come from the minors and outperform veterans, leaving teams in an awkward position. Back in 2005, The Phillies were forced to eat a large portion of Jim Thome’s salary in order to free up first base for Ryan Howard. That wouldn’t have needed to happen if there was a DH in the National League.

The Phillies find themselves in a familiar position once again with Howard, only this time it’s Darun Ruf who’s beginning to show signs that he’d be a more productive option at first base. Unlike Thome, Howard is all but completely immovable and Philadelphia is in a pretty terrible situation with him.

The Dodgers also find themselves in a similar predicament with their outfield. Matt Kemp, Andre Ethier, and Carl Crawford all have tens of millions remaining on their contracts, but younger players such as Yasiel Puig and Joc Pederson have played their way into the line-up with Scott van Slyke also looking like an appealing option. None of their big money outfielders will be able to be moved unless the Dodgers pick up a significant chunk of the tab.

Now you might think that this just goes to show you not to hand these deals out. Serves them right, right? Not necessarily.

When the Guggenheim Group purchased the Dodgers for 2.15 billion in 2012, they inherited a team largely in shambles. Instead of waiting a few years to build from the ground up, they poured money into the team in order to field a contender as quickly as possible. While they probably wouldn’t have granted Ethier an extension knowing that Crawford was on the way, it’s hard to condemn the owners for doing whatever it took to revitalize baseball in Los Angeles. They accomplished that.

But that has its downsides. While last offseason, it was thought that only one of the three needed to go, Pederson’s ascent means that they’ll likely need to move two. And they won’t get much, if anything, in return.

The DH would allow Kemp, who boasts a respectable 3.0 oWAR hampered down by a -3.2 dWAR, to continue to contribute to the team. His offensive contributions are essentially negated by his defensive liabilities, which also hamper his ability to stay on the field. An AL team could greatly benefit from Kemp, even more so since the Dodgers would be footing most of the bill.

It’s certainly tempting to completely write off an NL DH as something that only benefits the Dodgers or the Phillies. That’s true in the sense that as teams with deep pockets, a DH would allow them to invest more in free agency. But it really allows NL teams to have the same roster advantages that the AL does.

Injuries are on the rise. While there’s no proven data to support the idea that the increases in Tommy John surgeries have anything to do with the pitcher batting, AL pitchers are at an increased risk now that interleague play is dispersed throughout the whole season. Banged up hitters get to take a partial day off with the DH, limiting the exacerbation of injuries.

League offense is also on the decline. That’s not likely to change drastically unless steroids are reintroduced, but it would change a bit if we stop forcing pitchers to take ugly hacks every five days. Hitting isn’t their job and it shows.

The arguments against the DH have lost credence in recent years. The increase in bullpen specialists has taken much of the strategy away from late game substitutions in the NL. The usually defensive oriented benches in the NL prevent a double switch from being anything other than a minor upgrade over a pitcher. Sabermetrics frown upon bunting. These strategies exist because they present a better offensive option than the pitcher, but so does the DH.

MLB makes changes for monetary purposes all the time. The second WC and home field advantage being determined by the All Star Game come to mind. But this is a change that helps deal with the disparity between the AL and the NL. It’s not about which league is better. It’s about which league gets to take bigger risks with its money. There’s really no good reason why the Dodgers have to eat tens of million of dollars to send players away when the Yankees can keep their aging roster fresh by utilizing an advantage NL teams don’t get to have.

Baseball is the only major American sport that has its leagues play by two different sets of rules. While that adds a certain element of individuality, that simply isn’t a valid reason to penalize NL teams from utilizing their resources to the best of their ability. It’s time for a change and hopefully Manfred puts an end to the atrocity that is the pitcher batting.

Photo credit: Getty Images

Sunday

7

September 2014

0

COMMENTS

The Importance of Joan Rivers to The Celebrity Apprentice

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For the second time in less than a month, we’ve had to say farewell to a true comedy legend. Joan Rivers’ impact on entertainment is both profound and well documented. As such, I decided to do a tribute based more on her impact on my television guilty pleasure, The Celebrity Apprentice.

From top to bottom, it’s hard to argue that season two of Donald Trump’s faux business competition was its weakest. Neither team meshed particularly well with each other. The men had the argumentative Herschel Walker and Clint Black, the boring Brain McKnight, Jesse James, and Scott Hamilton, as well as the comedic, yet short lived Tom Green and Andrew Dice Clay. Green pales in comparison to other season’s joke contestants such as Gary Busey and Rod Blagojevich. Then there was Dennis Rodman, whose alcohol infused antics were funny for a little while until it became clear that the NBA Hall of Famer had a serious problem that needed to be addressed rather than laughed at.

The women weren’t much better. Joan along with her daughter Melissa, provided most of the team’s entertainment value. The team was compromised mostly of even less famous dead weight than the men. Claudia Jordan, Natalie Gulbis, and Tionne Watkins did absolutely nothing throughout their time of the show. Khloe Kardasian, who back in 2009 had yet to become a household name, was famously fired for taking a task off to deal with a DUI, which seems reasonable until you consider that contestants are frequently allowed to miss tasks for other engagements. Annie Duke filled the role as the season’s high roller, but her semi-celebrity status and bland personality made her far less exciting than other big money players. It wouldn’t be fair to say that Brande Roderick did nothing, but her status as one of the more memorable contestants goes to highlight the core problem with this season as a whole.

The Joan/Melissa Rivers dynamic is one that had never been done before on CA. Alliances have been made over the years, but we’ve never seen two family members participate at once. Since Trump has a fascination with the dated men vs. women mold, the two Rivers started off on the same team. This was fairly uneventful for the first part of the show, which is to be expected as the real drama needs time to develop. We saw the seed of a Joan/Annie feud planted in the second episode, but that was just a glimpse of what was to come.

While being on separate teams didn’t cause the drama that Trump would’ve liked, it did make for some exciting boardrooms. Joan or Melissa would often interject on the other’s behalf in confrontations, often to the chagrin of the boardroom advisors. Piers Morgan openly challenged the notion that Joan should defend her daughter, a question Trump was smart enough not to ask.

Joan provided the season’s most memorable moment when she chastised Annie and Brande for their tactic’s, which lead to Melissa’s firing shown here.

 

 

The two most important things to take away from this video are that Joan is a great mother and that she knows that this show is a joke and should be treated as such. Her line “I don’t want to hear this charity nonsense” seems foolish when you consider that the show’s prize is $250,000 to the winner’s charity plus the hundreds of thousands raised throughout the show. But that’s just the surface level of what was at stake here.

Joan showed character in thwarting Brande’s sympathetic stance. But she was right in assessing that the show is essentially an extended 15 minutes of fame for the bulk of the cast. She had arguably the strongest ties to her charity than any of the other contestant, having served on the board of directors for God’s Love We Deliver since 1994, but she knew that the game, like anything else, should be played with class. And when class wasn’t shown to her daughter, who had her fair share of tirades, she walked out with her. That’s what you do.

Of course she came back to win and showcase her charity to millions of people who may not otherwise know their great work. It’s not hard to imagine what that season would have been like without her. It was an uneventful season filled with boring and unlikable “celebrities.” Except for Joan, who came out winning for a whole number of reasons.

Rivers made a career of calling things as she saw them, but what made her special was that she could do that with a sense of class and human decency. Her victory on Celebrity Apprentice wouldn’t crack the top 100 of her career accomplishments, but that goes to show you what an extraordinary woman she was. You wouldn’t be able to say the same about Piers Morgan or Arsenio Hall, who owe their post CA success to Trump’s rigged nepotistic nonsense. She will be missed for many reasons, but I’ll remember her most fondly for “poker players are trash darling, trash.”

Sunday

31

August 2014

0

COMMENTS

The 2014 Summer TV Season Wrap Up

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A few weeks ago, I found myself in a state of disappointment over the summer TV season, a mentality that dissipated a bit as summer wore on. New shows such as Extant, Satisfaction, Rush, Tyrant, Halt and Catch Fire, The Last Ship, The Strain, Manhattan, You’re the Worst, and Married certainly weren’t bombs, but it’s hard to call any of them must see television either. They join sophomore offerings Ray Donovan, Under the Dome, Defiance, Maron, Graceland, and Hemlock Grove as shows that have niche audiences that don’t really draw the same wider excitement that older summer shows like Six Feet Under, Rescue Me, Entourage, Nip/Tuck used to have. This could be largest offering of ho hum shows in summer TV history.

Which leaves a few standout shows that for the most part existed either on the front or back end of the TV season. Louie and Orange is the New Black were long awaited gems, but they were also done before June was even halfway over. For all that was on in July, Rectify and Masters of Sex were the only universally praised shows airing new episodes. The fact that they air on Saturday and Sunday doesn’t do much to help the lull of must see summer television. Then there are Royal Pains, Falling Skies, Suits, and Covert Affairs, which have devoted fan bases, but aren’t really turning heads with innovation or ratings. True Blood is the sole veteran show to bid farewell and followed in the footsteps of Burn Notice and Dexter in supplying plenty of reasons for why its departure should be celebrated and not mourned.

The new shows mentioned all share in common that they exist in the middle ground between celebrated and irrelevant. The aggregate for the positive say they’re entertaining while the common complaint from the detractors is that they’re meh. Then there’s The Leftovers, which might have a similar Metacritic rating but doesn’t belong with the aforementioned rookies as it was easily the most polarizing show of the summer season. Damon Lindelof’s first show since Lost deserves most of its criticism, but I can’t say that I regret watching the grim yet sporadically satisfying post Rapture drama.

August began to change my opinion of the season as a whole. Outlander and The Knick are exactly what the summer season needed. Both shows are visually stunning, well acted historical dramas that haven’t proved they belong among TV ‘s best yet, but show far more potential than any of the other freshman shows. Garfunkel and Oates is in a similar position, which isn’t a big deal as we tend to forget that many shows don’t hit their stride in their first season anyway. The potential is there and it’s appreciated. It’s also worth noting that as neither have finished their runs, this could change sooner rather than later.

So what to make of the 2014 summer season? There was plenty to watch and if you tried all the new shows, chances are you liked at least one or two. How memorable they’ll be moving forward is another story.

I can’t think of another summer season that saw so many rookie shows wind up in the no man’s land between good and great. The rise of Netflix makes that territory less appealing as there’s no reason to watch something that you aren’t completely into with so many other choices at your disposal. If even just one or two had separated themselves from the pack, we’d be looking at a very strong summer season. Perhaps we still are. But that will vary from person to person when it could’ve been a consensus.

Opinions of the 2014 summer TV season remain largely subjective. But there’s something to be said for all the failed potential. TV’s in need of a few new headlining must see programs and we didn’t really get that this summer. But if you look at what we did get, you see that it could’ve been one for the ages. History could be kinder to it should any of those shows step up their game, but for now it was a puzzling year marred by odd scheduling and missed opportunities.

Monday

25

August 2014

1

COMMENTS

Five College Dialogues is Available

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The moment we’ve all be waiting for is finally here. Five College Dialogues is available from Amazon and Touchpoint Press’ online bookstore in paperback and e-book. I found the release date to be quite fitting as most colleges are getting back into the swing of things right about now. It’s the perfect time of the year to explore the ins and outs of college life.

I’m also happy to announce that two sequels have been commissioned. Five More College Dialogues and Five High School Dialogues will continue The Chief’s mission to encourage students to critically examine both their decisions and their environments in a comedic yet sincere fashion. Work on FMCD is going well and I’m on schedule to have it ready to send to TPP by October.

I wanted to thank you the reader. Whether you’ve been with me since my TV Hell days (or even before that), or if this is the first you’ve read of me, I’ve always appreciated every bit of feedback I’ve received over the years. Today is a day I’ll always remember.

I’ll periodically include updates for promotional appearances/events on the main page of the site as well as on FCD’s page. I hope you enjoy the book and thank you for reading. Namaste.Five College Dialogues_Print_5x8_front

 

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Friday

15

August 2014

0

COMMENTS

Is the Pumpkin Spice Latte Back Too Soon?

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Starbucks has announced that the Pumpkin Spice Latte, the coffee chain’s answer to the McRib, is returning on August 25th (also the day Five College Dialogues comes out). The beverage has quite the cult following and this early arrival will certainly please followers of the drink’s twitter account. But should we be excited that an autumn treat is coming back so soon?

It would be hard to argue that using strictly seasonal parameters. While summer doesn’t end until September 23rd, the end of August is an acceptable time to stop worrying about sunscreen, tan lines, and Mojitos. We get much of that time back on the front end with June so the semantics aren’t a big enough concern.

However, this year especially should remind us how valuable summer truly is. This winter was miserably cold and refused to end. As a result, we lost most of spring. We should not be so soon to forget that when the cold comes, it stays.

I find it hard to blame Starbucks for this ploy. The supermarkets have started selling fall themed beer already just as stores start to stock Christmas stuff right after Halloween. August 15th is also valued much differently with regards to summer than August 25th, when nearly all colleges and many schools are back in session. The PSL arrives at a time when most parents can enjoy it after dropping their kids off at school and that’s okay.

But I don’t think it’s something we should wait for with great anticipation. It’s a drink whose arrival signals the end of beach time. Sure that might help some people cushion the blow, but why celebrate the coming of the blow at all?

Shark Week is very much the same way. It’s a fun event that comes around at a time when summer starts to slow down. It’s great to have, but hopefully your Fourth of July celebrations aren’t impeded by Shark Week anticipation. Unless you’re a marine biologist.

Drink a Pumpkin Spice Latte on August 25th if you want to. But don’t forget that it’s still summer and when that isn’t the case, it will be cold. The PSL’s early arrival also puts it at risk for a burnout before October even starts. It would be a shame to miss August in October without being able to console yourself with a pumpkin treat because you’re sick of it before you should be. Live for today, not for August 25th. Unless you’re me and you have a book coming out.

 

Tuesday

12

August 2014

0

COMMENTS

Remembering Robin Williams

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Humor is largely a concept that’s largely indicative of its time period. That’s why we hold virtuosos like Charlie Chaplin and Mel Brooks, who transcend generational boundaries, in such high regard. Sadly we lost one of those artists last night.

Robin Williams was a one of a kind performer who seamlessly crossed both genre and time. It’s hard to believe that the man who brought life to Aladdin’s Genie was the same force who brought Jeff Bridges back to the path of righteousness in The Fisher King. Then of course there’s Good Morning Vietnam, Mrs. Doubtfire, Hook, Good Will Hunting, and Jumanji, which established Williams’ versatility to adapt his one of a kind style to the worlds his characters inhabited. Williams didn’t just use his power for laughs. He brought genuine emotion to each and every performance whether he was acting in a comedy or a drama.

Williams also was an incredibly generous man who gave his time, money, and name to worth causes such as the St. Jude’s Children’s Hospital and the USO, which provides entertainment for our troops. He used his talent for good. Which makes the circumstances of his death all the more tragic.

The idea that someone once dubbed the Funniest Man Alive could take his own life sounds like the plot of an especially irreverent Woody Allen film. That’s sad. It makes you rethink the accuracy of the famous Beatles quote “the love you take is equal to the love you make.” All you can hope for is that a man who brought joy to millions of people over a storied career finally finds the peace that this world couldn’t give him.

Robin William’s death sucks plain and simple. He leaves behind a tremendous legacy that will live on for future generations to enjoy. Few actors could take a film like Jumanji and turn it into an endearing classic. Thank you Robin Williams.

Thursday

7

August 2014

1

COMMENTS

The Ice Bucket Challenge and the Problems with Hashtag Activism

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If you’ve been on social media recently, you’ve probably noticed a large number of videos featuring people dumping buckets of ice water on their heads. Unlike last spring’s Polar plunge challenge, which had no altruistic motives attached to it despite also being linked to cold water, this social media craze aims to “strikeout” ALS, commonly known as Lou Gehrig’s disease. On the surface level, this all appears to be a clever way to raise awareness and more importantly, money, to battle a truly horrifying disease.

But is it all that clever? Maybe, depending on the results. Certain videos depicting the challenge come complete with links for donation websites, which satisfies the monetary portion of the awareness goal. Those videos embody the rational purpose of said challenge, which is to raise the funds required to research ALS.

The problem is that many of them don’t. It’s just “thanks for the nomination,” followed by a couple hashtags, a bucket of water, and a list of future nominees to lather, rinse, and repeat. Where does ALS fit in to any of this?

It doesn’t. As Kony 2012 showed us, Facebook likes don’t change the world. They supply brief moments of feel good glee that are whisked away often seconds after they’re received. But that’s okay because there’s always more. Social media never rests.

I wish there was a study to gauge the effectiveness of a hashtag activism campaign vs. a bake sale or a car wash. There are plenty of differences between the two modes of charitable work. The big one is that one is actual charitable work.

Doing good things for others feels good. That’s the whole point or we wouldn’t do them. Dumping ice on your head might feel good because you’re included in something, which was the whole point of the hashtag to begin with. But you’re feeling good for a different reason. It isn’t charity. It’s “look at me, look at me, I’ve got ice on my head. Your turn.” No.

If you’ve actually donated to an ALS charity, feel free to ignore my criticism levied. Please do, because it’s not directed at you. I donated so I feel like I can also participate in the battle to strike out ALS. But I don’t want ice on my head. I want tangible results from charitable campaigns. ALS shouldn’t be bastardized into viral videos in the same vein as the Harlem Shake. If you choose to dump ice on your head, throw a couple bucks toward the cause. It doesn’t have to be much, just enough to show that you actually care. Filming a video doesn’t fulfill that requisite. If charity was that easy, we wouldn’t have any people left in need of it.

Friday

1

August 2014

0

COMMENTS

Cell Phone Abuse at Restaurants Endangers the State of Human Civility

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A recent study was conducted by the Market Diner, a famous New York eatery in Hell’s Kitchen regarding the establishment’s diminished reviews on popular websites such as Yelp! Rather unsurprisingly, cell phones were blamed for much of the issues levied against the restaurant, namely slower service and increased waiting time. While a place like the Market Diner would experience more extreme results by virtue of its popularity, there’s certainly much to be taken from this study.

The results challenge the age old question of whether or not the customer is always right. It seems rather ridiculous to suggest that a customer wouldn’t be able to use a cell phone in a non disruptive fashion. Or does it?

The problem is that the lines are blurred. What exactly constitutes disruptive? If customers are taking longer as a direct result of cell phone usage, then the restaurant has a legitimate claim that the phone usage is undercutting revenue. In the case of the Market Diner, patrons were spending nearly an hour longer at the restaurant than they were ten years prior. That could amount to a serious loss of earnings.

And for what really? Food pictures or further affirmation from Yelp! as to what entrée to order? How much does that really matter? To some people, it matters quite a bit. Which is okay.

To an extant. It’s perfectly reasonable to treat dining out as an experience worthy of documenting. Foodie culture exists whether we like it or not. The problem is that it’s cutting into restaurant revenues in a manner that’s hardly universally acceptable.

There’s no real easily applicable solution either. Exclusive restaurants with month long waiting lists could get away with a cell phone ban, but your average establishment can’t get away with that. It would appear on Yelp! and that would send customers away in a similar fashion as the cell phones themselves.

Which makes the best solution a hard one. Self-policing. It’s not fair to expect a restaurant to tell its customers off for cell phone abuse. That ensures that said customers will not return. But that doesn’t mean it’s not a rude practice that should be addressed.

I was at a restaurant for lunch the other day when a woman at the table next to me started to play a video on her phone. The ambiance at the place was quiet enough that the video could be heard from a reasonable distance. Naturally, the woman did a quick look around to size up the scene, but she continued to play said video at a rude volume. We made eye contact, but that was it. I wasn’t going to cause a ruckus by calling her out, but I wouldn’t blame anyone else for choosing to.

That woman sucks. Plain and simple. Next time, she should bring an iPod speaker so that the whole place can hear her nonsense.

The Market Diner study also suggested that customers were asking waiters for their Wifi passwords. Drawing the line here seems reasonable. A food picture doesn’t require data. Looking something up on Yelp! doesn’t use much. Why should the customer be entitled to anything more. Would you bring dirty dishes to a restaurant to have washed in the sink? Do you bring your garbage there so your waiter can haul it off to the dumpster?

It’s laughable that we’ve reached a point in our nation’s history where the restaurant industry is suffering as a result of cell phone addiction. Using a phone at the table is hardly a crime, but it should never reach a point where you become oblivious to the world around you. That appears to be the case with the Market Diner.

I also worry that studies like these undercut another problem. Bad waiters are likely to blame for the loss of revenue. It’s not like there aren’t plenty of those around. But truly bad service is fine to complain about. One just needs to consider if the patron did anything to contribute to the diminished service.

Cell phones “bring us together,” but they also create barriers that block the immediate world around us. This needs to stop. Everyone should take a step back and honestly evaluate whether or not their usage of technology is having a negative impact on the world around them. If the answer to that is yes, a change should be made. Livelihoods are a stake.

Monday

21

July 2014

1

COMMENTS

Game of Thrones Finally Acknowledges The One True King Stannis Baratheon

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One of the downsides, perhaps the primary one, of adapting an epic book series is that certain characters are naturally going to get less screen time than they deserve. Game of Thrones has taken this to a whole new level, mostly out of necessity. While George R.R. Martin is content to have characters disappear for multiple books at a time, this isn’t really realistic for a television program.

The biggest victim of this so far has been Stannis Baratheon, King Robert’s rightful heir. His prominence in season two and the splitting of A Storm of Swords into two seasons makes a statement like this puzzling, especially since Stannis isn’t even a POV character. The problem is that the show has hardly done the one true King justice, while allotting large amounts of screen time to characters who are just as absent from chunks of the source material.

The main problem is that Stannis’ portrayal in season two doesn’t do the character justice, though Stephen Dilane was a strong casting choice. Book Stannis is a strong leader with a firm sense of right and wrong who helps uncover the Lannisters’ deception along with Jon Arryn. In the show, he’s introduced as an easily manipulated power hungry religious loon. The show backs off of this a bit in season three, but the much of the damage is done. At least in the viewers’ mind.

Until the season four finale, it was difficult to talk to fans of the show who hadn’t read the books about the one true king. Using strictly television logic, Stannis’ survival past the Battle of the Blackwater is puzzling. He’s portrayed as the “big bad” to Tyrion and Renly and those types of characters tend to die in season finales. And yet Stannis prevails.

The show’s lax characterization of Stannis deprives the character of his rich personality, which makes him one of the books’ strongest characters. While it’s easy to judge Stannis solely by Ned’s characterization, his maiming of Ser Davos, and his devotion to Melisandre, that just scratches the surface of his personality.

Stannis’ defense of Storm’s End during Robert’s Rebellion is consistently referred to as indicative of the middle Baratheon’s personality as a whole. He had it far worse than any of the other commanding usurpers and was perhaps the only one other than Ned Stark who could’ve held off the Tyrell’s under such dire circumstances. His rigidness proved to be an asset.

Which explains why he’s considered unlikable, but it’s easy to forget how little that actually matters. Stannis might not have been a friend of either Ned Stark or Jon Arryn, but he commanded their respect. The Tyrell’s were the only significant supporter of Renly who didn’t defect to his cause and that was a foregone conclusion anyway.

Stannis commands loyalty even in places where the reader/viewer isn’t supposed to expect it from. Ned refused to back Renly because Stannis was the rightful heir, a move that cost him his life. Davos supports him even after Stannis maimed his hand. He works with Jon Snow even after he was rebuffed on his offer to legitimize him as the heir to Winterfell.

Stannis grows quite a bit as he grapples with his sense of duty to the realm. We see him as more than a man seeking his right to rule, but rather as someone who understands that he is the only person who could actually bring order to Westeros. This point is eloquently featured in the show when Davos and Stannis visit the Iron Bank of Braavos in perhaps the show’s only deviation from the books that served to benefit his character.

While it’s slightly upsetting that the episode dedicated to the Wall didn’t end with Stannis’ arrival, it was great to see him have his moment of triumph after a turbulent two seasons. Since season four didn’t fully catch up with Jon’s plotline, this can sort of be excused. Fans have much to be excited for in the upcoming season as Stannis’ relationship with Jon Snow supplies the meatiest storyline of A Dance With Dragons. By saving The Wall, he shows that he’s the only one who doesn’t crave power solely for the sake of power. He chases justice.

Games of Thrones has an opportunity to let Stannis shine opposite one of the series’ most popular characters, which in turn should raise his image in the eyes of the fans of the shows. Hopefully the show won’t use him as a foil for Snow, who is occasionally at odds with Stannis but manages to gain his respect and eventually helps him rally northmen to his cause. I wouldn’t put it past the show to elevate the Snow legitimization conflict, but that in it of itself would be a further bastardization of Stannis’ character.

Looking to the future of the series, it appears as though Stannis could find himself deeply involved in the eventual Targaryen conflict if the R + L = J theory holds up and if The Onion Knight is successful in retrieving Rickon Stark from the cannibal island. Preview chapters of The Winds of Winter show Stannis’ looming decision regarding the fate of one Theon “Reek” Greyjoy, which will undoubtedly shed more light on Stannis’ overall sense of justice.

Stannis is a perfect example of the depth of characters in A Song of Ice and Fire. While Martin never goes too far out of his way to give the spotlight to the one true king, he’s much more of a three dimensional character than anyone at King’s Landing would have us believe in the first two books. While conventional logic would suggest that Stannis has about a zero percent chance at having a happy ending at the end of the series, Martin has a tendency to keep the reader guessing. Perhaps the Lord of Light will stand with Stannis. I know I will.

Tuesday

1

July 2014

0

COMMENTS

Yahoo, Community, and the Cancelled TV Show

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The popular fan mantra #sixseasonsandamovie took an improbable step closer to reality as Yahoo announced it is picking up Community for another season. An earlier post focused on the unlikelihood that such a pickup could happen and quite frankly, given who picked it up, I can’t say any of that was unmerited at the time. The popular opinion was that Hulu was Community’s best bet and hope began to dwindle once that fizzled out last week.

There was never any question that Community had value to somebody. Few shows on TV have half as good a fan base. That value translates best into buzz appeal, which is likely Yahoo’s primary reason for picking the show up. Yahoo is a bit of a dated website to begin with before you consider that it actually does have original programming. Community will bring significant attention to that line-up when it returns next year.

Buzz is also the big reason why Netflix should never have been considered a season contender to pickup Community in the first place. Netflix didn’t need the exposure. They’ve done that already with Arrested Development and to a lesser extent, The Killing. A show that aired on network TV for five years comes with a pretty hefty price tag that Yahoo can justify by the exposure alone. Even before we consider that Netflix has actually been referenced in multiple Community episodes, it’s fairly safe to say the average Community fan knew what Netflix was and probably had access to it in some form. They probably also know what Yahoo is, but the original programming angle is new territory for many.

29% of the new shows that premiered on network TV in the fall of 2013 were cancelled, a number that’s largely consistent with previous years. Most of those were rightfully cancelled though critical hits like Enlisted and The Trophy Wife are mourned. Cable shows fare a bit better, but in most cases, the reaper is kept at bay because those networks can afford a little more time to see if a show can be successful.

So what can we learn about Community’s revival? Is this lightning in a bottle or a shift in the TV dynamic. The latter is tempting, but it’s still the former.

This worked because Community has a massive cult following that’s been fostered in this sort of environment for years and a network looking for a shiny show to get some attention. Hulu, Netflix, and Amazon all could’ve picked it up, but they didn’t because quality alone isn’t a reason to bring something back from the dead. If that were true, 2013 wouldn’t have been the year that Enlightened and Bunheads left before their time. Television can still host Shakespearian tragedies, there’s just more hope now than ever before.

But now in theory, Yahoo is out of the mix for whatever show gets a big fan campaign next year. There’s still Hulu and Amazon who haven’t hosted a refugee just yet. Will they? Maybe, but if they do it’ll be for economic reasons and not for quality purposes.

Over the years of covering TV ratings, a common reaction I’d hear when people would respond to a grim prediction I’d made was, “but it’s so good.” There was a time where that really didn’t matter and it’s good that we’ve moved toward a direction where now that sort of matters. Ratings still influence cancellations but the landscape has evolved to the point where shows like Community can survive to the natural conclusions that fans desire.

Is that a good thing? Fundamentally, yes. I think people were starting to come around to the idea that Greendale wasn’t going to be saved this time and we won’t know if it really should’ve until the new season comes on next year. I’m excited to find out.