Ian Thomas Malone

A Connecticut Yogi in King Joffrey's Court

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Sunday

26

April 2015

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Game of Thrones Season 5 Recap: Episode 3

Written by , Posted in Blog, Game of Thrones

This recap features analysis from a devoted book fan. Spoilers will largely be kept to comparisons between the show and the books within the episodes themselves, but if you hate spoilers you should probably not read these articles. I encourage you to subscribe so you never miss a recap. Thank you for reading. 

Many of the changes from the books have been for one simple reason. Screen time. George R.R. Martin is perfectly content to have certain characters disappear for multiple books at a time, but that doesn’t really work in show business with actors who will find other work if their roles are greatly reduced for full seasons. From a creative standpoint, it also makes sense to give characters something to do. There’s quite a lot of sitting around doing nothing or wandering around doing nothing in A Feast for Crows and A Dance With Dragons.

Sansa and Littlefinger do not go to Winterfell in the books. Not yet at least. They sit in the Vale and hang out with Sweetrobin. Littlefinger does a little bit of plotting, but Sansa remains Alayne and nothing really happens besides some plotting to marry Sansa off to Harrold Hardying, who’s the heir to the Vale behind Sweetrobin. Sample chapters from The Winds of Winter show that this stasis continues at least into the early parts of that book.

So the show decides to do something interesting. Hard to blame D&D for deciding that sitting around didn’t make for great television. Only this plotline doesn’t really make a whole lot of sense.

Littlefinger is taking too much of a risk on Roose and Ramsay. Putting aside the fact that Cersei is weaker than ever, it’s hard to imagine a single scenario where whoever is in control on King’s Landing isn’t furious that Littlefinger has been secretly hiding a girl wanted for regicide. The fact that he brings her to marry into the most dishonorable House in Westeros not named Frey is simply ridiculous.

Littlefinger is not an idiot, but his involvement with the Boltons complicates this. It would be completely out of character for him to do a background check on Ramsay and he wouldn’t have to do very much digging to find out what a monster he is. Even putting aside his weird infatuation with Sansa, it’s unfathomably foolish of him to put any amount of trust in Roose and Ramsay. While it makes sense from a storyline perspective to give them all something to do, it doesn’t really add up.

Book fans have often noted that much of Littlefinger’s scheming is perfectly in line with what Stannis needs to take the throne. With the Iron Bank of Braavos now backing the Mannis, it seems even more likely that the two should want to put aside their differences. If Stannis can’t have Jon Stark ruling Winterfell, Sansa is the next best thing (perhaps even more so given that she isn’t a bastard currently sworn to the Night’s Watch).

I criticized the handling of Jon’s election to Lord Commander in the last recap. Here I’ll criticize the execution of Janos Slynt. Lord Slynt will not be missed by many, whether it be characters or people watching. Problem is that you kind of feel bad for him as his head gets chopped off.

From the moment Slynt arrives at the Wall in the books, which is right after the Battle of Castle Black and not well before in the show, he plots to have Jon killed. Slynt had to die and in killing him, Jon earns the respect of both Stannis and Ser Alliser. That seems to be accomplished here as well, but Slynt was never really made to look like much of a threat. Maybe this is not a big deal, but I wasn’t a big fan of the way it was handled.

Davos’ speech to Jon was certainly interesting. It’s looking like the Night’s Watch might head south of the Wall, which would be a major deviation. While that would be odd, I am certainly not against it.

The Cersei/Margaery/Tommen feuding isn’t terribly interesting right now as it’s pretty predictable, but I’m looking forward to seeing how the High Sparrow gets involved. He isn’t in the books much, but casting Jonathan Pryce is all the reason you’d need to feature him more often.

Arya and Tyrion’s plotline stay mostly true to the books beyond deviations that already happened. I’ve been looking forward to seeing Tyrion and Ser Jorah together as Peter Dinklage and Iain Glen are two of the show’s best actors. Their interactions in ADWD are among the best aspects of the book.

Varys’ future is a complete mystery. I wonder if he’ll continue on his way to Dany or if he’ll head back to Westeros. With no Aegon in the show, the former seems likely, possibly before Tyrion and Ser Friendzone arrive.

No Dany, which is probably for the best as the show’s version of the Meereense Knot needs time to unravel. Could’ve used less Brienne this episode as her thoughts on Renly are old news and that was screen time that could’ve been used elsewhere. I think Podrick will die, if for any other reason than it will make Brienne sad.

No Jaime or Bronn either. I’d love to see what’s going to happen with this Dornish plot, which looks pretty weak compared to the Dornish Master Plan in the books. That doesn’t appear to be something that will be resolved this season.

All in all I think this was a solid episode. It looks like the show is building more for the future right now and that’s not necessarily a problem. The changes are interesting and it’s hard to judge them until we see how it all plays out.

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Tuesday

7

April 2015

7

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Character Study: Sir Richard Carlisle

Written by , Posted in Blog, Downton Abbey, Pop Culture

It’s not particularly hard to see why season two of Downton Abbey is often considered the best. The World War One plotline was perfectly executed and gave the show a feeling of being more than just a soap opera about rich people’s problems (not that there’s anything wrong with that). It wouldn’t be fair to solely credit the plotline for this delightfulness as the new characters played an important role in the success of the season.

At first glance, it’s easy to write off Sir Richard Carlisle as purely villainous. He certainly ended his season long arc as the bad guy. When you look at the newspaper mogul’s tenure as a whole, you see that there was more to him than just his perpetual rudeness.

Iain Glen was tasked with a difficult job in portraying Sir Richard. Julian Fellowes never tried very hard to convince the viewers that Sir Richard actually stood a shot at taking Mary away from Downton. His proposal to Lady Mary ranks among the least romantic courtships in the history of television and most of the characters expressed doubt that Mary would actually go through with marrying him.

Sir Richard was a necessary evil. It was important to prolong the inevitable marriage of Mary and Matthew. This is how television works. With that in mind, it could’ve been easy to not care about Sir Richard as it was always clear that he wasn’t going to be around for very long.

It seems kind of surprising that Sir Richard proposed in episode two, his first appearance, and managed to hang around for the whole season in a completely loveless engagement (though Sir Richard was absent for episodes three and four). Early on, he proved his use by tracking down Vera Bates and saving Mary from public embarrassment had the first Mrs. Bates revealed her transgressions with the Turkish gentleman.

The difficulty with Sir Richard was that he needed to not be sympathetic to prevent the audience side from siding with him over Mary or from too closely resembling Lavinia Swire, who was conveniently killed, off allowing Matthew to save face with the viewers. Mary herself isn’t particularly likable. Sir Richard needed to be more despicable than her, but not excessively tedious to the point that he wouldn’t be able to hang around for the duration of the season. This balance was no easy task.

When you think about it, Sir Richard’s crimes weren’t really all that bad. He had some shady business with the Swire’s early on and his attempt at spying on Lady Mary was foolish, but neither act should really condemn him as a character. It was pretty clear that Mary did not love him and we weren’t really given an alternative motive for his failed efforts to recruit Anna for some espionage other than a genuine desire to please his fiancé.

It was perfectly reasonable of Sir Richard to be concerned about Mary’s proximity to Matthew. She once loved Matthew but she never loved Sir Richard. If you were in Sir Richard’s shoes, wouldn’t you be a tad concerned about your fiancé hanging around her ex?

Carlisle’s big crimes were that he was rude and that nobody liked him. Other than that, he was perfectly respectable and a great fit for Lady Mary. Sir Richard’s status as a self-made man likely made him respectable to many viewers, which is a testament to Fellowes’ writing. It would have been easy to create a villainous character for Mary to fool around with for a season before finally giving in to her love of Matthew, but the more challenging route paid off.

Instead, Sir Richard was given depth. Iain Glen has a knack for playing sketchy knights (he also plays Ser Jorah on Game of Thrones, another man who lusts after a girl he can’t have) and with Sir Richard, he portrayed a character who had a clear and finite purpose, but was surprisingly entertaining to watch.

I suspect that Fellowes had Sir Richard in mind when he created the character of Miss Sarah Bunting. Like Sir Richard, Miss Bunting was an odious character who clearly wasn’t going to be around for very long, but that didn’t mean that she wasn’t given depth and a couple redeeming qualities. Perhaps they would’ve been perfect for each other.

Sir Richard came and played his part on a show he was never going to be part of for very long. To some, he might be a character that you love to hate or just plain hate without any love at all (like his relationship with Mary). As for me, I liked him. He was perfect for Mary, but that’s not what was best for the show.

Next on Character Study, we’ll look at Ally McBeal’s Ling Woo 

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