Ian Thomas Malone

A Connecticut Yogi in King Joffrey's Court

game of thrones Archive

Wednesday

29

August 2018

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Ser Jorah’s Empty Redemption

Written by , Posted in Blog, Game of Thrones, Pop Culture

One of the great triumphs of the #MeToo movement has been the way it’s helping to change the way we look at what constitutes acceptable male behavior. Society has offered a lot of excuses for the persistent man who won’t take no for an answer, forgetting that there is a woman forced into the position of not being able to have her wishes accepted for the answer. “No means no,” somehow gets clouded when a man’s hurt feelings garner enough sympathy to seek shelter somewhere in the “boys will be boys” trope.

Ser Jorah of House Mormont is a bad man.

He sold slaves on Bear Island in a feeble attempt to make his wife happy living in a place he would have known would make her miserable if he had ever stopped to consider her feelings before taking her away from Oldtown. He ran away to Essos to escape justice for his crimes. He tried to sell out Daenerys in a similarly pathetic attempt to be allowed back home.

Ser Jorah of House Mormont is a pervert.

Daenerys is a teenager at the start of the series, in both the books and the show. The show aged her up a bit from thirteen to make sexualizing her a bit less creepy, but the idea that an older man/sworn protector would court her should still make one uncomfortable. Despite this, Jorah presses on, only to be politely rebuffed by Dany time and time again. The power dynamic is a mess, but Ser Jorah doesn’t care. Ser Jorah only cares about himself.

Ser Jorah of House Mormont is a disgrace.

When Daenerys learned of Ser Jorah’s treachery, she banished him. Many would have executed him for treason, but Dany took mercy on her disloyal advisor. You might think he’d take her kindness and leave her alone. Dany gave Jorah countless verbal cues to leave her presence and never return.

Ser Jorah of House Mormont only cares about himself.

Moving on is a key aspect of the human experience. We all face rejection at some point in our lives. Ser Jorah experienced plenty of his own, but he never learned to accept that another person might not want him in their life. He portrayed himself as a man who would do anything to earn Dany’s forgiveness, but this mentality is a disguise for his true intentions. It’s never about what Dany wants, only about how Jorah wants Dany to make him feel.

Ser Jorah of House Mormont cannot take a hint.

Upon delivering Tyrion to Dany, Jorah found himself banished again. No amount of rejections would matter to Ser Jorah, because Ser Jorah cannot process rejection. It’s only ever about him, what he wants, on his own terms. “No means no, unless I don’t want it to,” is the motto of Ser Jorah, even after he contracts an infectious disease. Not even greyscale can keep Ser Jorah away from the pursuit of a woman who had rejected him many times. No amount of rejection could ever be enough for him.

Ser Jorah of House Mormont does not care about service.

What drives Ser Jorah’s many comebacks? He frames the narrative as a chance for redemption, but such a situation would require Jorah to let go of something he cannot give up: control. Jorah only accepts others on his own terms. Dany is not a Queen to him, no Khaleesi to his greyscaled soul. To him, she is the woman who politely refused his offer of a drink at the bar. He cannot accept any outcome that doesn’t console his bruised ego.

Those of you who have followed my Game of Thrones recaps over the years know that I have not been a fan of Ser Jorah for a long time. I think he’s beyond creepy and should have been killed off a long time ago. As I think more and more about what I want out of season eight, I realize that my biggest wish is one that should have been granted already. I want Jorah off the show.

Jorah’s story is not an important story. You might be inclined to disagree, perhaps because you like him, or just because you don’t view this as an objective truth. One of Game of Thrones’ greatest strengths is that its ensemble cast has many different narratives. Supporting characters live fully fleshed out lives, with goals that can exist independent from their leads.

The depth of GOT’s narrative complexities means that protagonists like Jon and Dany can have goals that conflict with each other. Jorah can certainly desire Dany even if she doesn’t want him back. A viewer doesn’t have to view him as an antagonist just because he won’t take no for an answer.

Trouble is, Dany’s story isn’t allowed to exist without him. Even when she turns him away, he always comes back. This woman cannot live her life independently of a man she politely rejected many times. Too many women in the real world know this feeling all too well.

Jorah’s narrative is full of empty redemption. He seeks forgiveness only under his own terms. The greatest gift he could have given Dany was to not return to Meereen. The books may be able to alter course from Game of Thrones by killing him off in the Battle of Fire, but the show has let his stain linger for far too long already.

No means no. That means you too, Ser Jorah. We all heard Dany loud and clear the first a hundred times. All of us, except you and every other man who felt he was owed something from a woman who rejected him. Do Westeros a favor and go away.

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Sunday

12

August 2018

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COMMENTS

Schrodinger’s Tower: Jon Snow and the Assumption of Certainty

Written by , Posted in Blog, Game of Thrones, Pop Culture

A baby was born in the Tower of Joy at the end of Robert’s Rebellion. The Jon Snow parentage question is a central mystery surrounding George R.R. Martin’s A Song of Ice and Fire. Martin himself has referenced the mystery on many occasions, citing Game of Thrones creators David Benihoff and D.B. Weiss’ ability to correctly identify Jon’s mother as the point that gave him enough confidence to give his blessing for the series.

The question of Jon’s true parents, widely believed to be Rhaegar Targaryen and Lyanna Stark, often expressed through the equation R + L = J, has been a source of intrigue since the release of A Game of Thrones in 1996. In the finale of season seven, Bran confirmed this detail to Sam, though book fans have no such certainty after decades of hints spread out throughout the first five books. The puzzle lingers, even if its solution feels blatantly obvious.

The paradox of Schrodinger’s Cat is a thought experiment theorized by Erwin Schrodinger that examines interpretations of quantum mechanics. A feline is trapped in a box with a radioactive substance and a Geiger counter to detect whether or not the substance decays, which would kill the cat. The Copenhagen interpretation supposes that until one opens the box, the cat inside is simultaneously alive and dead, since we cannot know which is the actual case. Such is the conundrum with linear states of being. At some point, reality has to stop being theoretical and start being actual, which begs the question of whether both states simultaneously existed at all.

The Tower of Joy is currently a closed box with a baby. There is plenty of evidence that Jon Snow was born in there. The event already happened in the books, but the outcome hasn’t happened because we still don’t know who the baby was. We can’t know for sure until GRRM opens the box.

And yet, we sort of can know. The show opened its own box, and given the magnitude of the events at stake, it does seem safe to assume that the outcome will be the same. The show differs from the books in dozens of ways, but that secret lies at the centerpiece of both of their mythologies. It wouldn’t be much different than a situation where the movie version of Pride & Prejudice saw Elizabeth end up with Charlies Bingley instead of Mr. Darcy.

Alternative theories to R + L = J have been around since the release of the first book back in the 90s. Perhaps the most popular is the theory of B + A = J, suggesting that Jon is the son of Brandon Stark, Ned Stark’s brother, and Ashara Dayne, a character absent from the show but an important figure to Ned as well as Barristan Selmy. Generally, under this theory, R + L = D, with Daenerys serving as the child born in the Tower of Joy to Rhaegar and Lyanna.

There are a few big problems with B + A = J, namely the timeline and the idea that Ned wouldn’t need to claim Jon as his own if he didn’t have any Targaryen blood. Ashara was most likely pregnant before her death, but we know very little about the circumstances. That doesn’t automatically follow that Ashara is Jon’s mother, but there’s enough mystery about her life to keep theories alive for those who want to believe in them.

Many in the ASOIAF fandom do not wish to believe in B + A = J, a theory that earns plenty of eyerolls when mentioned by someone who wants to make a serious case. It’s not a great argument, and the show has practically put the matter to rest, except in the sense that it can’t. The idea that B + A almost certainly doesn’t = J does not change the fact that B + A could equal J, if GRRM decided he wanted it to.

George R.R. Martin could sit at home and deviate from R + L = J if he thought that the books should exist independently from the show. I don’t think that’s very likely, but that is an outcome that could happen if a single human being decided that it should. As every Terminator movie reminds us, the future is not set in stone. We haven’t looked inside the box yet. The Geiger counter has not made its move.

While that’s not terribly compelling evidence against R + L = J, it does remind us of the unique situation we find ourselves in with a television show that has progressed further along than source material that is still actively being written. Imagine the fan outrage if Harry Potter and the Deathly Hallows – Part 2 showed how Harry defeated Voldemort before J.K. Rowling released the final volume. That’s pretty much the territory that Game of Thrones finds itself in, albeit with a much larger universe and a lot more lingering questions.

Schrodinger’s Cat reminds us that things cannot happen until they have happened. R + L = J is simultaneously true and not true until the pages are finally released. Only then can the tinfoil fan theories be fully debunked with a definitive sense of clarity. The fact that the show already revealed what was inside its box can give us a pretty good, almost certain, sense of what to expect, but the assumption of reality is not the same as reality itself.

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Thursday

26

April 2018

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COMMENTS

Homeland and The Joys of Habitual Viewing

Written by , Posted in Blog, Pop Culture

A couple weeks ago my partner was deciding when to head back to her place on a Sunday evening. I said she was welcome to stay as long as she liked (naturally), but that Homeland was coming on and I needed to watch it because my grandfather and I usually discuss the episode the next day. This notion was particularly important because in previous seasons my grandfather would e-mail or text his thoughts before checking if I’d seen it, which had revealed some spoilers (this has not happened this year), which is a reflection of the fact that until relatively recently, that was what people did.

Nowadays, it’s far less certain when people will get to their shows. DVRs have tons of space, and every premium channel has a streaming app for those who don’t have cable. The necessity to physically be in front of the TV when a show comes on just isn’t there anymore. The shows that carry a high risk of social media spoilers, like Game of Thrones, The Walking Dead, and Westworld tend to fall into this new category of “event viewing” which has essentially replaced the concept of the water cooler show in the American lexicon. Gone are the days where a program like ER could capture the attention of an entire office for twenty-two weeks out of the year.

Homeland is not a worldwide phenomenon watched by over a hundred million people. It has respectable ratings for a show in its seventh season and remains a perennial awards show presence even though it’s been years since it won a major trophy. It is past its prime, but still entertaining to watch, beyond the joys I get from discussing it with my grandfather.

As someone who writes about TV, I watch a fair amount of shows on a week-to-week basis, but there are very few I feel compelled to consume the same night they air. I almost never watch shows that air during the 10:00 pm hour live, though that’s reflective of the fact that I now live on the West Coast, where the premium channels air their content at the same time as the East Coast. Being able to watch Game of Thrones at six in the evening is the kind of luxury that doesn’t make you want to stay up late to watch it live, especially when you have a TV in your bedroom (though that only a Roku).

The streaming era has dulled the sense of urgency to watch a show when it’s on, just as binge-watching has normalized the concept of a backlogged DVR full of stuff to pick from. The sheer number of quality shows out there is pretty intimidating even for a pop culture fanatic, but I can certainly remember growing up having to pick between a Boy Meets World rerun, a Hey Arnold rerun, or a Johnny Bravo rerun if I wanted to watch something. Having full autonomy over one’s remote does represent an underrated achievement of the modern era. We’ve cured boredom.

There’s still a part of me that takes a simple pleasure in sitting down to watch a show at a certain time, romanticizing the notion of curation. Tony Kornheiser used to close out Pardon the Interruption by asking Michael Wilbon variations of “give the people something to watch tonight.” I almost never listened to his suggestions, but I always liked hearing what he looked forward to watching.

Goodnight Canada

It’s a stupid thing to care about, but as a devoted fan of SiriusXM (particularly 1st Wave), I like the idea of a human being showing me things that I might be interested in, something to look forward to at the end of the day. You get to feel as if you’re part of something bigger, even it’s an hour of dragons or CIA agents foiling terrorist plots. In a world full of seemingly endless options, it’s nice to have a few picked out for you.

 

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Monday

4

September 2017

1

COMMENTS

Often Casting Logic Aside, Season Seven of Game of Thrones Succeeds at Being Good Television

Written by , Posted in Blog, Game of Thrones

I recycled the title for my season six review, only opting to change a single word, because of one thought that constantly entered my head throughout this season. This is a television show. It is a special kind of television show since it has the ability to captivate the internet even when it isn’t airing new episodes, but it is still a television show. It is an adaptation of George R.R. Martin’s masterpiece, not a word for word recreation of it.

There are limits to what plotlines the show can adapt from the books. Season seven showed us that there also limits to what plotlines the show can adapt from the show. My preview article spent a lot of time talking about pacing. Seven episodes is either a lot of time or barely any at all, depending on what the show wanted to do with it. Turns out, the show wanted to do quite a lot, toward the end.

It is tempting to think that the long awaited meeting of the three most important power players in Westeros (Daenerys, Cersei, and Jon) would inevitably fall flat. It might even be true that we waited too long for this stuff to happen to have any kind of truly satisfying payoff, but the payoff was never really the problem. Those scenes were fun to watch.

As entertaining television, season seven usually succeeded. The battles crammed in at the end of many of the episodes seemed a bit rushed, but they were entertaining to watch. The trouble is that the external logic just wasn’t there most of the time.

Game of Thrones loves its big moments. Last season’s final shot of Dany’s armada heading to Westeros and this season’s view of the Wall crumbling under the heat of an ice zombie dragon are very memorable images. They look great as parting reminders of what this show can craft as each season draws to a close.

The show isn’t as great with the moments leading up to those memorable scenes. For the Wall to crumble, something had to happen to bring down a millennia-old structure. For Dany and Jon to head down to the dragon’s den of King’s Landing, there had to be a reason that neither reeked of Red Wedding Part Deux, nor crippled Cersei as a major character before the final season. That’s a tough tightrope to walk.

There are consequences for big moments. Dany’s massive fleet looked great, but season seven then had to explain why she wasn’t using her army that completely dwarves the size of everyone else’s to take King’s Landing in about five seconds. That beautiful shot of the Wall crumbling required a very silly plan to give the Night King control of a dragon.

These problems are distinctly related to the limitations of TV as a medium. While we don’t know the trajectory of the final six episodes, it is very likely that the Wall did not necessarily have to come down in the season finale and that it should have come down later. We, as viewers, are conditioned to expect big moments during season finales. The show went for the moment that people will talk about for the next year or so until season eight. Time will tell if that was a smart move.

This season revolved around Jon & Dany more than past seasons, which makes sense given that they are the two most important characters in both the books and the show. The show was smart to cut its losses on boring subplots like Dorne, allowing more time for the main players. The trouble is that Emilia Clarke and Kit Harrington have really bad on screen chemistry, a problem once again magnified by the shorter season.

Some fans have literally waited twenty years to see Dany land in Westeros. Once she finally did land, she basically spent the season hanging around Dragonstone with a moody Jon, instead of doing all the fun things we’ve fantasized about her doing, like conquering Westeros and killing Cersei. While I didn’t expect Dany to sit on the Iron Throne by season’s end, I didn’t think she’d do nothing but sit around either, save for two quick battles on Drogon’s back.

This show occupies a strange place in the entertainment world. It is an adaptation of a series that surpassed its source material in the middle of its run. Imagine how Harry Potter fans would feel if the movies finished before the release of The Deathly Hallows. Game of Thrones is inevitably going to be different from the books, but we don’t know how much. This can make the questionable logic decisions that much more frustrating.

Jon’s story is almost beyond intelligent analysis at this point. No one outside of the Wall knows how he was allowed to leave the Night’s Watch, which no one had ever successfully done up to that point. No one seems to care. Dany is the only person who seems remotely interested in the fact that he once died. The Northern army is beyond spent and yet Cersei treats it on equal footing with her forces and Dany’s.

We know why. Jon is a very, very important character. It makes sense that the show wants him on equal footing with the top players. What does not make sense is how the show decided to put him there. It is unbelievably stupid. I’d say I’m not 100% committed to covering any plot related to him next season if this nonsense continues, but I love Davos too much to do that.

Winterfell made for a needlessly complicated subplot. We don’t really know why Arya and Sansa had to fight, or what Littlefinger was doing all season. Now he’s dead and they’re not fighting. Oh well. Guess they had to do something.

I imagine that the showrunners aren’t huge fans of Bran as a character. He’s a dangerous character to have in a narrative given that he could solve a lot of problems with a few simple words. He doesn’t, and the show doesn’t really explain why because I don’t think it has a reason. Bran ex machina is the show’s biggest issue, which also explains why it shelved him for all of season five. The show can fill in the blanks for the book’s unfinished plotlines in most instances, but it struggles with Bran, a creation that reflects a lot of GRRM’s earlier work.

King’s Landing gets mostly passing marks despite the lack of interesting plotlines. Cersei really couldn’t do all that much that wouldn’t involve her losing to Dany. Lena Headley is always compelling to watch on screen and she made the most of her material. Cersei’s relationship to Jaime is in many ways the most interesting on the show. I can’t imagine what she’ll be like next season without him.

Season seven had a couple unexpected breakout characters, even if Dickon Tarly failed to become the next Lyanna Mormont. Beric Dondarrion worked extremely well as a foil for both Jon and The Hound, offering a much more compelling arc for the character than his book counterpart. Gendry’s return was a treat, even if the audience had to stomach the idea that he could become an Olympic runner through the North despite having never seen snow before. Euron may not have had many scenes, but he captivated every single one, offering the show an additional compelling villain besides Cersei and the Night King. Theon/Reek may have outlasted his usefulness as a character, but his uncle is certainly fun to watch.

Penultimate seasons carry heavy burdens to set the stage for the final chapter. Despite its flaws, season seven accomplished this objective quite well. It made for compelling television each and every week. We scrutinize shows like Game of Thrones because we love them. Some of us just wish we could love them without having to wonder how Sam cured a seemingly incurable disease with a knife and some Lubriderm. Oh well. Can’t have everything.

Season Grade: B+

Character Grades:

Daenerys: B

Tyrion: B-

Cersei: B+

Jaime: A-

Euron: A

Qyburn: A

Jon: D

Ghost: F

Davos: A

Melisandre: D

Littlefinger: B-

Sansa: A-

Arya: C

Bran: F

Meera Reed: B-

Winterfell Maester: D

Winterfell Guards: F

Lyanna Mormont: A

Jorah Mormont: F

Sweetrobin: A

Knights of the Vale: A

Night King: A-

The Wall: D-

Coldhands/Benjen: F

Sam: F

Gilly: A

Tormund: A

Brienne: A

The Hound: A

Ice Zombie Hit By The Hound’s Rock: F

Gendry: A-

Raven that flew to Dragonstone: A+

Drogon: A

Rhaegal: A-

Viserion: B-

Beric Dondarrion: A

Thoros of Myr: A

Dickon Tarly: C-

Grey Worm: D

Missandei: D

Reek: F

Yara: F

Everyone from Dorne: F

Olenna Tyrell: C+

Stannis Baratheon: A

Bronn: A

Daario Naharis: F

Varys: C-

 

 

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Monday

28

August 2017

0

COMMENTS

Game of Thrones Season 7 Recap: Episode 7

Written by , Posted in Downton Abbey, Game of Thrones, Pop Culture

Of the Seven Kingdoms in Westeros, four have unclear leadership. We don’t really know who controls The Stormlands, the Reach, Dorne, and the Riverlands. We’re not even really sure who controls the Westerlands, given that the Unsullied took Casterly Rock and it isn’t quite clear whether Jaime or Cersei sit at the head of House Lannister (Cersei as Queen technically would not, if you go by how the Baratheons handled Storm’s End, but Jaime riding off on his own suggests he’s not really head either). While Littlefinger and knights of the Vale were prominent figures this season, we haven’t seen Lord Sweetrobin on screen since season five.

I mention this because Cersei’s sole condition for agreeing to the truce was that Jon needed to stay neutral in her fight against Dany once the ice zombies are all dead. This, coupled with the hiring of the Golden Company and their 20,000 men (plus elephants), signals that Cersei is pretty worried about the size of her army. The problem is that the North has been in continuous conflict since season one. Their army is spent. Cersei should not be worried about Jon. He really isn’t that important in any context other than the one where he’s a main character. A much better strategy would be to try and placate the Vale, something that Cersei already once did successfully during the War of the Five Kings and then to try and recruit former Tyrell/Martell/Tully/Baratheon bannermen in the regions. If there’s a million people in King’s Landing alone, there must be more troops. We’ve neither seen nor heard any conflicting evidence that would suggest these armies are gone.

We saw a similar lapse in judgment on Dany/Jon’s side of the equation. We had no reason to believe that they thought Euron didn’t actually abandon Cersei. That wouldn’t even really be that important, as long as his fleet wasn’t actually in King’s Landing. Jon and Dany sat around the dragon pit worrying about their failed plan without really ever considering attacking their very vulnerable opponent.

This episode’s meeting wasn’t about logic. It was the single largest gathering of major players since Robert Baratheon and his attaché marched north to recruit Ned to become Hand in the first episode of the series. The show knew the gravity of this moment, giving it half the episode.

The idea of expectations for such a meeting is fundamentally problematic. We weren’t going to get some Red Wedding style twist, not with six episodes left in the series. Instead, we got a bunch of reunions. Tyrion/Cersei, Tyrion/Bronn/Podrick, Brienne/Jaime, Hound/Brienne, Hound/Mountain, Euron/Reek, and Varys/all the people he screwed. That was essentially the only way that scene could deliver. There was no realistic way to live up to all the years of hype.

It hit its mark. It was fun television. The unveiling of the wight was a little over the top theatrical, with the Hound carrying it in on his back and Jon/Davos performing some kind of fire trick like magicians at a children’s birthday party. The plan worked and that felt kind of odd because the plan was stupid, but that was never the point.

This season’s biggest fault is that it has focuses way too much on where it wants to go and not enough time on how to get there. The Night King needed a dragon to melt the wall. The showrunners needed to get all the major players to King’s Landing for a meeting. So that moronic plan was hatched. And yet I can’t deny I was enjoying myself, sitting there watching a television show. We don’t want that to be enough since this is the kind of show where people log onto the internet after each episode to share their thoughts. Sometimes, it is enough.

The resolution of the Littlefinger plotline functioned in very much the same way. The master planner is dead because of a half baked scheme to plot sister against sister mostly hinging on an old letter that Sansa clearly wrote under duress. This doesn’t make much sense, but Littlefinger had outstayed his welcome on the show. So he died. For some reason.

Bran ex machine is tricky. The show could have done a better job of explaining how Bran knows absolutely everything, selectively. Sam bringing up the annulment right there during the R + L = J reveal was way too convenient. Bran is a problematic character in general, but the show isn’t even trying to explain how he chooses to dump his omniscient thoughts onto the characters. It forces the viewer to do the show’s work for it, taking joy in Littlefinger’s death without wondering how exactly that “trial” came to be set up.

This episode loved keeping its characters in the dark in favor of a dramatic reveal for the audience. It was fun to watch Jon tell Cersei he had pledged to Dany much to the surprise of his advisors. Euron’s dramatic exit was great, even though Cersei didn’t tell Jaime or seemingly any other advisor that he hadn’t actually abandoned them. Bran telling Ser Piggy about Jon was fun even though it makes no sense that he hasn’t told his sisters, or Jon himself. These are fun moments, if you don’t stop to think about them.

Reek continues to be the worst part of this show. He didn’t mention freeing Yara to anyone in King’s Landing, waiting until they were back on Dragonstone before whining to Jon. There’s been a Reek redemption cycle for a few seasons now. The whole forgiveness thing for his Stark betrayal was supposed to be settled when he resucued Sansa. Apparently not. It’s boring. He’s horrible. Please kill him.

I feel obliged to mention the Jon/Dany romance. I actually kind of forgot about it. It’s pretty forgettable. Putting the incest aside, the two have horrible chemistry. I’m sure this is partially due to the fact that Khal Drogo/Ygritte/Daario all played the pursuing role in their courtship of these two, but it also just seems rushed and inevitable.

Where is Gendry? Did he collapse from his marathon sprint back to the Wall? Or did the others make him row back from Eastwatch?

The Wall crumbles. I guess that capturing that wight was worth it… I hope Beric and Tormund survived. I imagine they did. Looks like show is going to deal with the ice zombies before the game of thrones is fully settled. Or maybe they’ll wrap up at same time.

Overall this was a good episode despite its shortcomings. It had to set the table for season seven. It accomplished that goal.

That’s it for this week, but we’re not quite done with the season just yet. I’ll post the season in review with the return of character letter grades sometime next week. Thanks for reading.

 

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Monday

7

August 2017

0

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Game of Thrones Season 7 Recap: Episode 4

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Note to readers: Don’t go into battle against a dragon. Not even if you have a giant crossbow, that can apparently be manned by one person. Definitely not a good idea.

So Highgarden is up for grabs? It’s almost as if it isn’t the seat of an ancient ruling house in Westeros. Granted, the Tarly’s now control the Reach, which should be in good hands now that Sam’s baby brother Dickon is around. Hopefully he doesn’t get burned to death too soon. Could be the next Lyanna Mormont!

The book fan in me wants to go and on about the debt repayment. It was way too easy. You don’t erase twenty years of heavy spending with a single plunder. The Crown’s debt is a far more interesting plotline in the books as Littlefinger is a likely saboteur with his lending schemes. The show has been hinting about debt for ages, but it’s hardly compelling television. With nine episodes left, pushing it aside does make some sense. I’m not really quite sure what role the Iron Bank needs to play in the rest of the series, but Tycho Nestoris is fun to watch and it gives Cersei something to do besides torture people.

The show is handling Bran fairly well. I imagine the writers would prefer not have a deus ex machina ever knowing character around to annoy everyone with hidden knowledge of literally everything. This episode did a good job of dancing around that fact.

Meera was wrong to state that her brother Jojen died for Bran. Jojen actually died so the actor could film the movie series The Maze Runner. Maybe that’s why Bran was so nonchalant about her leaving. Let’s all shed one more tear for Hodor, or a hundred.

Meera is leaving Winterfell to return to her father, whose role in the show has been heavily downplayed. Howland Reed (Ned’s BFF) is the only living person, besides Bran/Yoda (if he’s alive), who knows Jon’s true parentage. I’m not sure how much the show cares about this little detail, but something to watch out for.

The reintroduction of the Valyrian steel dagger could go a lot of ways, most involving Littlefinger’s demise. The mystery of who ordered the assassin to try and kill Bran has never really been solved in either the books or the show, even though Littlefinger was correct to note that the action basically started the whole war. In the books, Littlefinger does lie about losing the dagger to Tyrion, but both Tyrion and Jaime independently deduce that Joffrey is the likely culprit, in a sick effort to impress Robert. I’m not sure if Joffrey will be identified in the show too, or what that would add to the narrative. I also liked how the books didn’t feel the need to tie up that loose end. Let’s hope the show doesn’t make too much of a big deal about a detail I’m sure most casual fans forgot about.

Arya is back in Winterfell. Sansa is in no rush to tell her that Bran is back, or that Rickon is dead, or that cousin Sweetrobin saved them all before suddenly disappearing. Their reunion was way better than Sansa and Bran’s, or any scene involving Bran, though we still don’t know the mystery of who made Ned’s Winterfell statue. Probably Ramsey. Really aren’t that many other options.

Brienne is still around. We finally learned why. It wasn’t to protect Sansa or to have a relationship with Tormund or Jaime, nope. She’s still on the show so she can kick Arya to the ground in a friendly duel, making Sansa feel bad in the process for being the only living Stark without superpowers. Good job!

Boy those Dragonstone drawings sure are convenient. Jon probably drew them himself, using crayons Shireen left behind. I’m not sure which is more deus ex machina, the drawings or Bran. Probably the drawings.

At least Davos finally floated the idea of marriage to Jon. About time the onion knight learned the rules of politics, though I’d pretty much forgive him for anything. Best character on the show by far. Jon does not deserve an advisor as loyal and amazing as Ser Davos Seaworth.

Theon = eww gross go away. He’s so awful. Please, please kill him. We’ve had enough of his misery. He belongs in a Lifetime channel original movie, co-starring Ser Jorah of House Greyscale.

We had another end of the episode battle that popped up out of nowhere. Apparently Dany snuck away from Dragonstone with her Dothraki army and three large dragons without anyone noticing. They were probably busy drawing more pictures on her basement wall.

The battle was amazing to watch. I have very little to criticize (surprise, surprise). It was great to see Jaime in an actual military conflict. Too often he’s underutilized as a sounding board for the other characters. This sequence was some of Nikolaj Coster-Waldau’s best acting, subtly expressing the horrors as his character watched his army burned. At least Randyll had time to tell him the plunder was safe.

Could have done without Bronn being chased by a single Dothraki through the vast carnage before using a massive crossbow all by himself nail Drogon. There is this thing called suspension of disbelief that reminds us that major characters occasionally do unrealistic things for the sake of the narrative. I get that, but this was a little much. Reloading/aiming that thing would have been pretty impossible for one person. Alas.

No, Jaime is not dead. Logic would normally tell us that he would sink, because of all his heavy armor. This is superseded by a greater logic. If a main character is not shown to be definitively dead on screen, he or she is not dead. The real question is, who saved him? My money’s on Gendry…

Overall, this was likely the best episode of the season. Only three more episodes left in this abbreviated season. I doubt we’ll have any resolution to the war in Westeros by season’s end. That’s probably a good thing.

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31

July 2017

1

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Game of Thrones Season 7 Recap: Episode 3

Written by , Posted in Blog, Game of Thrones

Jon and Dany’s first meeting has been one of the most anticipated moments of the series. It isn’t really one of those scenarios that can “deliver” on the hype, as we can’t really expect anything major to happen immediately on the beaches of Dragonstone. Some table setting was certainly in order.

It’s almost as if season two never happened. Davos mentioned being on opposite sides of the Battle of the Blackwater, but not that Tyrion’s wildfire killed his son (multiple sons in the books). You may have forgotten that Davos even had a son, or that Varys once explained to Tyrion that he’s not a huge fan of the Lord of Light. While the Spider wasn’t exactly warm to Melisandre, he didn’t try to pick her brain either. At least the show mentioned Tyrion’s marriage to Sansa!

Also, how is Melisandre going to get to Volantis? Varys’ magic boat? Does Westerosi Uber pick up from Dragonstone?

Varys does know that Ned knew about Robert’s assassination attempt on Dany. He threatened to resign as Hand over it. I doubt this will come up later, and I don’t see what it would change, but worth mentioning.

Marriage used to be a very helpful tool in sealing alliances. While Targaryens are known for marrying each other, Dany is the last of the line. Logic would tell us that the next best suitor would be head of one of the Seven Kingdoms. Of those, two are basically extinct (Baratheon, Tully), two and a half are already allied with her cause (Tyrell, Martell, half of Greyjoy), and one and a half are surefire enemies (Lannister, the other half of Greyjoy). That leaves us with Jon and everyone’s favorite forgotten lord, Sweetrobin of House Arryn, whose troops are sort of allied with Jon.

No one suggested that Dany propose a marriage pact with Jon, her only viable suitor who isn’t a sickly young boy. I get that some people might think it’s gross because Dany is Jon’s aunt, but they don’t know that. Targaryens also don’t really care about incest (certainly not the only ones in Westeros). That would be a really simple fix to everyone’s problems. But no. That would require logic.

The rest of their meeting was fine and all. It was nice to see Tyrion and Jon interacting again. I don’t expect that the two would get married immediately, or even at all. It seems quite irresponsible of Tyrion, Davos, and Varys to not even float the idea around.

Also, Davos’ speech endorsing Jon was great and all, but paled in comparison to Davos’ legendary Stannis speech in Braavos back in season four.

Ellaria Sand is a problematic character. She’s had very limited screen time, creating few opportunities to endear her to the audience. She’s killed Doran Martell, Areo Hotah, and Myrcella Baratheon in cold blood. She is boring. Why should anyone care what Cersei does to this horrible character?

Cersei’s one redeeming quality, at least in the books, has always been her genuine love of her children. Cruel Cersei was mostly on display this episode in killed Tyene Sand, but why is the viewer supposed to care? The show never gave us a reason to. One can look at outside morality to judge Cersei, but we’re in the realm of fiction. The story is supposed to do that kind of work. The Sand Snakes have consistently been the worst part of the series since their introduction. I cannot be upset with Cersei for ridding the world of them.

But I can mention once again how stupid it is that Qyburn is Hand. Moving on.

Jaime doesn’t like Euron. Cersei may not either. The whole Jaime/Cersei romance has been a mess for a while now, even without the Brianne subplot. Their scene was okay and all, but kind of unnecessary in an otherwise eventful episode.

Reek is alive, and not on Gendry’s boat. I wish the show would just kill him. He’s definitely the Smeagol/Gollum of this show and that’s definitely not a compliment.

Sansa is a better leader than Jon. Funny, since she should be Queen of the North, especially since Bran/Yoda doesn’t want it. Littlefinger seemed quite interested when the new Maester mentioned how Maester Luwin kept copies of all the raven scrolls. I expect this could come up later on.

I guess Bran coming back was a big deal. The show played cutesy with the reunion, as Arya seemed to be the likely returning prodigal Stark. I still miss Hodor too much to care about Bran and his weird shit. Reminds me of a college freshman who comes home for break acting like a hipster. We get it. You think you know everything.

Jorah is cured of a highly contagious/deadly disease and no one cares! We still don’t know why this poor character had to suffer through it at all. I guess Joer Mormont only told Sam to tell Jorah to take the black in the books, which makes his greyscale even more pointless and stupid. Though this means we don’t have to keep pondering about it anymore! I’ll miss asking that question.

I’m getting a little tired of these mini battles at the end of the episodes. The show doesn’t have the budget for weekly extravagant sequences, but two episodes in a row of these deus ex machina power changes is a bit much. House Tyrell is supposed to have the biggest army. Their decision to side with the Lannisters won the War of the Five Kings. They’ve participated in no major military conflicts since then, so logic would dictate that they should still have a pretty big army.

But no, apparently not. The show attempted to explain this sudden charge in authority by having Randyll Tarly defect to the Lannisters, but it’s still lazy writing. The Tyrells are more powerful than just one bannerman. Olenna’s death might have been compelling television, but it made little sense within the context of the story.

This is the problem with the season six finale. Dany had a ridiculously large army with the Tyrells, Martells, Greyjoys, Dothraki, and Unsullied. It was too big to make anyone else besides the White Walkers look like formidable foes. Now for some reason, she has a smaller army. Why? Obviously the show doesn’t have much time left, but that doesn’t mean logic needs to be tossed out the window like a child who saw Jaime and Cersei making love.

This episode once again suffered from trying to tackle too many plotlines in one episode. The show needs to do a better job allotting screen time to characters who will be affected by the final scenes. Too many cooks in the kitchen is never a good thing, especially when Hot Pie doesn’t even appear in the episode.

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17

July 2017

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Game of Thrones Season 7 Recap: Episode 1

Written by , Posted in Blog, Game of Thrones, Pop Culture

If Tyrion is Daenerys’ Hand and Jaime is Cersei’s, who is Jon’s? As I much as I love Davos, I hope it’s Lyanna Mormont. Way better than her greyscaled riddled uncle.

This episode was more concerned with setting the table than supplying an appetizer. No death, no resurrection. It did contain an event that some fans have been waiting for since 1996, which was given a minimalistic touch that’s perhaps fitting given how much time has passed since Viserys spoke of Westeros to Dany all those years ago. The whole scene was also overshadowed by the massive amount of suspension of disbelief required to accept the idea that Stannis Baratheon (still haven’t seen a body) would leave Dragonstone completely unguarded for anyone to visit, without even having to buy admission (or a souvenir at the gift shop). It will still be a very enjoyable scene.

Jon’s emphasis on dragonglass points to a future alliance with Dany, as Dragonstone has large reserves of Dragonglass. Stannis had urged Dragonstone castellan Ser Rolland Storm to begin mining for it in A Dance With Dragons and I imagine we’ll see something similar in the show. There is a more pressing alliance that Jon needs to fortify before he journey south however.

A conflict between Jon and Sansa is inevitable given the power structure. Sansa is the rightful heir of Winterfell. Jon isn’t. I’m not quite sure who in the show is actually aware of this teensy little minor detail, but it’s bound to create some drama down the road, especially since Littlefinger is no fan of Jon. The whole public debate over the Karstarks and the Umbers (who don’t betray the Starks in the books) seemed odd, but set Jon apart from Ned and Robb.

It is important to remember just how bad Ned and Robb were at political strategy. Good men, yes. Good leaders, not by a long shot. Jon now finds himself with lots of enemies, including a bunch of ice zombies. Best not to forget where things previously went wrong.

Eastwatch-by-the-sea was prominently featured in this episode. As one of only three active castles manned by the Night’s Watch out of nineteen, this wouldn’t normally be surprising, except the Night’s Watch doesn’t currently include a ton of important characters. Bran and Meera are currently at Castle Black. You’d think Tormund and the Brotherhood Without Banners would head there rather than a castle with no significant characters. I suppose the new three-eyed raven could journey there as well. I doubt we’ll see any clashes with the White Walkers until the end of the season at the earliest, which allows plenty of time for characters to move around (especially if they borrow Varys’ magic boat).

The King’s Landing dynamic went about as well as you’d expect it to. Cersei has no heirs and a fairly meager army. An alliance with Euron makes sense just as one of them betraying the other also makes sense.

The problem is that Dragonstone is really close to King’s Landing. I don’t know how much the show cares about this detail, but Dany is literally right there, with by far the largest army. Cersei and Euron could be completely wiped out next episode and it would make sense from a geographical standpoint. I assume Euron is going to impede that progress somehow, maybe by attacking Tyrion, but prolonging a siege of King’s Landing doesn’t make a whole lot of sense.

I’ve been wondering about how much Arya knows about what’s going on in the North. If she knows Jon and Sansa are alive, it would make much more sense for her to head there rather than King’s Landing. Also, why didn’t Ed Sheeran play “Shape of You” in the opening scene? Talk about wasted opportunities…

Why does Jorah have Greyscale? Yes, we’re still asking that.

Maesters can’t have families. Brothers of the Night’s Watch can’t have families. Samwell is at the bottom of the maester trainee totem pole yet he gets a suite for Gilly and baby Sam. Utterly ridiculous. I know rules don’t matter, but it might be nice if someone at least pretended they did.

The scenes with the Hound, Thoros of Myr, and Beric Dondarrion ended up being my favorite of the episode. As someone who was against the Hound’s return last year, this surprised me. I’m glad the show isn’t doing Lady Stoneheart, which allows the BWB to actually look like it cares about the realm. I was pretty surprised that the group is still on the show, but it’s working out fairly well.

This episode probably wasn’t as exciting as many would have hoped given the long wait, but I found it to be quite satisfying. The table is set for the remaining twelve episodes and the episode covered all the necessary bases, except for why Sam gets a honeymoon suite at the Citadel or why Jorah is locked away with a contagious disease. Some may regard these as minor details, especially when there are broader concerns, like how Stannis will react when he sees people staying in his castle. Hopefully we’ll cover that next week!

Bit of a scheduling note. My live recap show airs at 10:15 EST right after the episode on my author page. Written recaps follow on Monday mornings. Thanks for reading!

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12

July 2017

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Game of Thrones Season 7 Preview

Written by , Posted in Blog, Game of Thrones

It feels like a decade has passed since television’s worst kept secret regarding the fate of a certain Northern bastard was revealed. Those of you who followed along with my season six reviews know that I wasn’t a big fan of the finale, or with the frequent lapses in logic that culminated in Jon and Cersei taking their thrones, for reasons that still escape me. A month after the season usually ends, we find ourselves ready to journey to Westeros once again!

The fact that there’s only thirteen episodes left of the series makes me more inclined to forgive the show for deploying the “everybody dies” trope to clear up the King’s Landing quagmire. Screen time is always an issue for shows with ensemble casts, giving Game of Thrones’ high death count an added purpose. It may not have always made sense, but trimming down the cast in season six was a smart move as the show heads into the home stretch. Now screen time appears to be far less of an issue, especially with the recent reports that all six of the season eight (next season) episodes will have feature length runtimes.

The objectives of season seven remain somewhat unclear, with only seven episodes and a much more condensed power dynamic. The show has two remaining major arcs to cover, the power struggle for the iron throne itself and the greater battle against the White Walkers. I doubt either of these will be fully wrapped up in this season.

Four main power centers remain in Daenerys, Jon, Cersei, and Euron. From the looks of the trailers, it appears as though Daenerys will land somewhere in the Stormlands/Iron Islands. This also follows the (f)Aegon trajectory A Dance with Dragons, where his troops landed in Storm’s End to begin their campaign. Euron is really the only expendable major player left on the show. Yara/Reek’s alliance with Dany makes it likely that her army will fight him first, before turning to face Cersei and her Lannister troops.

For the first time in the show’s history, Sansa possesses perhaps the most interesting storyline. We, as fans, can understand why the show would make Jon King in the North as R + L = J was finally revealed, but it’s never made sense from a plot perspective. It should belong to Sansa. This fairly simple concept does not appear to be lost on Littlefinger, though his decision making process has been seriously called into question ever since he decided to marry Sansa to Ramsey. This power struggle should be an interesting arc to follow for at least the first half of the season, though I expect we’ll see the show split the main conflicts this season into Dany/Highgarden/Dorne vs. Euron and North/Vale/maybe Riverlands vs. King’s Landing for this season. Hopefully season six’s breakout star Lyanna Mormont will play a major role this season. The potential Tormund/Brienne of Tarth is also one to watch for, though Tormund may still be stricken with grief over the tragic death of Wun Wun.

Tyrion’s role remains a bit of a mystery. I imagine that a scene with Cersei and Tyrion would be almost as desirable as one with Cersei and Dany (or Jon and Dany), but I could also see the show holding off on Tyrion’s return to King’s Landing until next season. A reunion between Jaime and Tyrion seems more likely. I’d love to see Tyrion play the role of traveling diplomat on Dany’s behalf this season. Political Tyrion is far more interesting than battle strategist Tyrion, though anything’s better than having him waste away in a room with Grey Worm and Missandei.

The presence of Beric Dondarrion and the Brotherhood Without Banners remains a bit of a mystery. I incorrectly thought that their return signaled that the show was going to bring in Lady Stoneheart. It seems more likely that Arya will be involved with them somehow, given that we last left her old friend Walder Frey in the Riverlands. Her old direwolf Nymeria, who continues to reek havoc in the Riverlands in the books, could also make a reappearance. A conflict between the forces in the Riverlands and King’s Landing seems likely to happen this season, which could allow the long anticipated “Cleganebowl” battle (one of my least favorite fan theories) between Gregor and Sandor to happen.

I don’t expect Bran or the White Walkers to make much of an impact this season. That goes for Samwell in Oldtown as well, though I wouldn’t put it past the show to advance in such a manner that allowed him to complete his maester training. After all, this is the same show that has Varys traveling back and forth between Westeros and Essos about 15 times in a single episode. I’d be happier if the show just killed Samwell off, but I doubt that will happen.

The one character that really puzzles me is Daario Naharis. The last we saw of him was in Meereen, where Dany left him to rule. I highly doubt we’ll see Dany return to Meereen, unless she takes Varys’ magic boat, but it’s also highly unlikely that we’ve seen the last of him. His return could be held until season eight given how much Dany has to do in Westeros.

I imagine this season will largely focus on setting up Dany as a/the major player in Westeros while setting the stage for the final season. Season six took care of a lot of the smaller power conflicts that had been brewing over the past few seasons. This season should probably be more concerned with preparing for the end than with killing off major characters. Cersei seems like the most likely major character to die this season, but I have a hard time believing the show would want to kill her off before the final season. Thirteen episodes may not feel like a lot of time left, but the show will want to save much of its long anticipated action for the home stretch.

Programming note: my weekly live recap show will return this season, broadcast from my Facebook author page. Like last year, we’ll aim to start at 10:15 EST, but that will change if some episodes run longer than an hour. Be sure to follow my Facebook and Twitter accounts to keep up to date. Written recaps will follow on Mondays. Thanks for reading! Looking forward to watching along with all of you this season.

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Monday

4

July 2016

2

COMMENTS

Occasionally Casting Logic Aside, Season Six of Game of Thrones Succeeds at Being Good Television

Written by , Posted in Blog, Game of Thrones

My thoughts on the events of the season finale line up pretty well with my feelings on season six as a whole, both good and bad. A lot of exciting stuff happened and quite a bit of it didn’t make sense. Characters died and others were crowned with very questionable claims to the thrones. Above everything else, season six had an obligation to set up the rest of the show, which only has two shortened seasons remaining. With that in mind, it carried out its duties quite well.

This season did often feel untethered by logic. The high body count seemed driven more by a desire to cut ties with unnecessary characters rather than what made sense for the story. With limited time left, it’s hard to argue against scrapping plotlines like Dorne, even if the execution made zero sense whatsoever. Avenge Oberyn Martell by killing off the rest of his house? As preposterous as it was to see the Sand Snakes seize control of one of the major regions in Westeros without any opposition from any of the legitimate houses, wasting more time on Dorne would have been worse.

It’s hard to believe how much hype was given to Jon Snow’s death prior to the start of the season considering the way the show handled it. His death only served as an out from The Night’s Watch, and even then, it’s hard to fathom why no one in the North besides Ramsey seemed concerned that he was a deserter. Also, I’ll say it again one last time. Jon’s decision to execute Ser Alliser, Olly, and the rest of the mutineers completely undercuts his “release” from his vows. If his death freed him from his duty, he shouldn’t have carried out one final order.

The decision to elect him King in the North is just as baffling as Sansa’s lack of explanation for why she kept the Vale army secret. Why does Jon need to be king? It doesn’t inherently change anything about R + L = J or even the Azor Ahai prophecy, which the show has played down.

By and large, the Northern plotline was pretty good, aided by latecomer Lyanna Mormont, who became this season’s breakout star. The Battle of the Bastards was one of the most visually impressive achievements of the series. My only problem was the unanswered questions. It’s frustrating because none of these gaffs are related to the bigger picture, unless the show wants to do a War of the Three Kings with what little time it has left. Just lazy writing.

Even after being snubbed, Sansa still had her best season. Her storyline was one of the most compelling and she helped guide the Northern plotline in the right direction after Jon spent a few episodes moping around Castle Black. Her final scene with Ramsey was perhaps her best of the show. While it was time for Ramsey to get what he deserved, he was easily the show’s best villain.

One element of the Northern plotline really bugged me as the season came to a close. The Brienne/Davos/Mel dynamic was pretty bizarre, but what was even weirder was the show’s decision to wait until the finale to discuss the burning of Shireen. The passing of time was an often discussed topic throughout the season, with characters traveling all over the map at unfathomable speeds. The idea that it took a full season and the chance discovery of a wooden stag left over in a snow covered old battlecamp for Davos to question what really happened to Shireen was a little preposterous.

That said, Davos was simply excellent this season. Best character on the show by far.

The audience’s knowledge of Dany’s impending arrival to Westeros presented a unique challenge for the King’s Landing plot, which needed to present itself as a high stakes storyline given all the key players involved. It all looked like it was headed somewhere… and then everybody died. No Mountain trial by combat. No Margaery planning. Just Cersei as Queen even though she blew up the most sacred religious building in the city, perhaps even in Westeros.

Could there have been more to King’s Landing? Of course. We didn’t need multiple High Sparrow lectures. We didn’t need all that buildup to a Tyrell/Faith Militant spat, only to have a stand down that didn’t go anywhere. Tommen could have had a personality. I really wanted to like the KL storyline, but there really wasn’t much to like here besides some quality acting from Lena Headley, Diana Rigg, Natalie Dormer, and Jonathan Pryce.

Meereen suffered from many of the same problems. Everyone sat around waiting for Dany to come back. Even the characters knew how boring their plotline was. The many Tyrion/Grey Worm/Missandei conversations weren’t aided by Tyrion’s admission that his companions were lame. Tyrion is perhaps the best character on the show, but had nothing to work with this year. I’ve said this in a few recaps and on my live show, but this season really highlighted the mistake of killing off Ser Barristan last year. He could have singlehandedly improved Meereen and it’s not as if his death really served some great purpose.

I was however, a big fan of Dany’s storyline this season. Outside of her two big moments in winning over the Dothraki and sailing to Westeros, she didn’t have much to do, but made the most of every scene she had. Furthermore, limiting her onscreen time allowed much of the other plotlines to breath. It can be hard to care about Westeros when you know that Dany is about to arrive with her massive army and three dragons. The ending of episode four was perhaps the best executed scene of the season and the fact that it came midseason just makes it even more impressive.

My only problem with Dany’s storyline was Ser Jorah. It’s baffling that he’s still alive after this season killed off nearly every expendable secondary character on the show. Telling him to go out and find a cure for his incurable and unnecessary disease was a little ridiculous. I love Iain Glen, but Ser Jorah is nothing but a deterrent at this point. The show handled Dany’s breakup with Daario as well as it could. I wish Ser Jorah had been mercifully allowed to become one with the many rocks in the Dothraki sea.

Arya’s story is a bit hard to judge without instantly thinking about the absurd Terminator 2 style chase through Braavos. Like Dany, Arya had to spend much of the season waiting for other events to unfold before she could return to Westeros. I mostly enjoyed this and don’t want to let the ridiculous fatal stabbing detract too much, but that image comes to mind just about every time I think of Arya. That said, her storyline for next season should be on the most interesting.

Oh Bran. I can’t really say I hated his story, aside from that horrible moment where Hodor valiantly dies saving him as a result of some weird time stuff that the show probably didn’t need to cover, but his absence from season five highlights how little I care about him in general. The three-eyed raven was a bit underwhelming, as were the revelations of Benjen as Showhands and the Tower of Joy. He wasn’t really in this season that much though and that’s probably for the best.

Perhaps it’s fitting since he had the worst storyline of last season by far, but Jaime likely had the best arc of season five, unless you want to count The Hound’s fun couple of scenes as a major storyline. The Riverlands were excellent on all accounts. Jaime’s scene with Edmure in the tent was one of my favorites. Jaime also had a great moment with Brienne which showed the depth of his character, with his deeply conflicted feelings. The show also provided some good moments for Bronn, who hasn’t had much to do since leaving Tyrion’s service.

The Ironborn could have been a great storyline. Book fans rejoiced at the prospect of a kingsmoot. It was all pretty lame, including Reek’s bizarre journey from the middle of the North to the Iron Islands, as a highly sought after captive with no money for a ship. Yara had some good moments, but Euron was a big fail. Hopefully he gets some good scenes with Dany next year.

Sam gets some points for not being in this season much. He loses points for everything else he did. Why did he take his father’s sword? Why didn’t he leave Gilly and baby Sam at Hornhill, the safest place possible? Why didn’t the Citadel know about Joer Mormont’s death?

While this season had its fair share of eye rolling moments, it was quite effective in setting up the rest of the show. Perhaps more important, it made for very entertaining television. Thank you all for reading. Also for another bit of self- promotion, I recently came out with a new book. If you’ve enjoyed my recaps, please consider ordering The Princess and the Clown or any of my other books. They’re pretty cheap on Amazon. Thank you for reading!

Finally, back by popular demand, it’s time for some letter grades for this season!

Jon Snow: B

Lyanna Mormont: A

Sansa: A-

Davos: A

Melisandre: B

Tormund: A-

Wun Wun: A

Ramsey: B-

Rickon: F

Littlefinger: B

Sweetrobin: A (King in the Vale?)

Dany: A-

Tyrion: C

Varys: B- (better time traveler than Bran)

Grey Worm/Missandei: F

Ser Jorah: F

Daario: B

Cersei: B

High Sparrow: F

Tommen: F

Olenna Tyrell: B

Margaery: C+

Pycelle: A (I’ll miss him)

Qyburn: B-

The Mountain: A-

Sand Snakes: F

Sam/Gilly: D

Randyll Tarly: B+

The Hound: A-

Beric/Thoros: B+

Jaime: A

Brienne: F (why didn’t Brienne/Tormund happen?)

Bronn: A-

The Blackfish: D

Edmure: A-

Bran: C-

Hodor: A (never forget)

Stannis: A (still haven’t seen a body)

Arya: B

Jaqen: B

The Waif: C+

The Braavos Theatre Company: A-

Season as a whole: B+

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