Ian Thomas Malone

A Connecticut Yogi in King Joffrey's Court

nicki minaj Archive

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12

December 2014

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Top 40 Radio Stations Do Not Belong in the Yoga Studio

Written by , Posted in Blog, Social Issues

Like the countless styles of yoga, there are many choices for music to accompany one’s practice. Being largely a matter of personal preference, it’s hard to really reject certain genres entirely. I know teachers who frequently play rap music and heavy metal and it works. That might not be for everyone, but an instructor that makes that choice typically understands that it must work toward the larger image that they wish to project for their class. If you want to play Judas Priest or Wu Tang, you need to own that decision.

I recently took a class where the instructor put the radio on to a top 40 station to accompany her class. Being somewhat of a countercultural figure, naturally I wasn’t too amused by this decision, which was initially exacerbated by the instructor’s tardiness. This played into the bigger problem that was radiating from said instructor.

Carelessness.

Music is a big part of a yoga class. It sets the tone and is the constant presence that lingers over each student when the teacher isn’t speaking (which should happen at times). It isn’t more important than say, the actual yoga, but it’s easily something that can derail an entire class.

Adam Levine makes headlines for his love of yoga. That’s great. Doesn’t mean that Maroon 5’s “Animals” with lyrics like “You’re a drug that’s killing me I cut you out entirely. But I get so high when I’m inside of you” belongs in a yoga studio.

Which doesn’t mean that Maroon 5 needs to be banned entirely. Just that songs that reference obsessive tendencies, drugs, and coitus should be screened and promptly removed from any playlist destined to be played in yoga. That’s the downside of playing a radio station. You don’t get to pick what comes on and with something like top 40, you can be sure that much of it is inappropriate for your class.

I put a great deal of effort into my playlists, which are generally a mix of 60s rock, 80s New Wave, and Indie music. It’s not effort that every instructor needs to have, but it makes a difference. Over the years, I’ve got as many compliments for my music as the yoga itself (make of that what you will). As a big fan of The Smiths, I know that they only have a couple of songs that can be played in a yoga setting. So “Stretch Out and Wait” gets played while “Some Girls are Bigger than Others” does not.

That’s not to say I haven’t made playlist mistakes. Once I played “Yesterday” by The Beatles, which came on during seated poses which didn’t help matters. Needless to say, I made the room laugh by apologizing for playing a sad song during hip openers.

Each yoga class should in some way, shape, or form reflect the personality of the instructor. What does Top 40 radio reflect? The United States of Generica? Something you can hear anywhere? I think so.

You might at this point think that I’m being too harsh on Top 40, especially the songs that might be acceptable. What if the instructor loves Taylor Swift? That’s fine. The presence of TSwift should be because the instructor wanted her there. Not because she happened to be on the radio (which oddly enough didn’t happen in this class despite the low odds).

Yoga classes take effort. They should also look like they take effort. People are giving you their money and their time for a service. Throwing on the radio shows that you couldn’t be bothered to be in control of your class. Which in turn might inspire a student to stay home with a yoga DVD and Ms. Swift.

When you don’t put any effort into parts of your class, it shows. Who wants to hold a balancing pose while the insufferable Calvin Harris is blasting in the background? Not I!

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Wednesday

26

November 2014

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The Similarities of “Baby Got Back” and “All About that Bass”

Written by , Posted in Blog, Pop Culture, Social Issues

I had an interesting experience on my way to Dunkin Donuts yesterday. While flicking through the radio stations, I encountered Six Mix-a-Lot’s classic “Baby Got Back” (not Nicki Minaj’s painful “Anaconda” pseudo cover). After indulging in the perennial favorite of middle school mixers, I switched channels only to find Meghan Trainor’s “All About that Bass.” This bizarre coincidence got me thinking about the overall message of these two songs.

At first glance, we might call Trainor self-empowering and Mix-a-Lot misogynistic. Which sort of makes sense but you could also look at it a different way. Trainor says love your body and Mix-a-Lot says he loves your body. That’s kind of nice right?

Both songs address the issue of “skinny bitches” Mix-a-Lot opens his songs with a conversation between two condescending, presumably small butted, women criticizing the tushie of another girl, denounced as a prostitute until Mix-a-Lot jumps in to start the song. Trainor addresses them herself with “go ahead and tell them skinny bitches that,” with regards to her plans to bring booty back (it’s still somewhat unclear where it went in the first place). It wouldn’t be fair to Trainor to not mention that she says she just playing, though that phrase has been a major bone of contention against the song as people have accused her of “skinny shaming.”

We also see a similar love of genuine curves from both performers. Both take shots at the silicone Barbie look. Trainor “won’t be no stick figure silicone Barbie doll,” expressing a concurring opinion to Mi¬x-a-Lot’s “silicone parts of made for toys.”

The difference in message deviates on the matters of romance as to be expected. Trainor is speaking from a personal standpoint. Mix-a-Lot is an observer and a fan. So whose message with regards to matters of the heart is better?

Mix-a-Lot’s

You might be shaking your head at this point. But look at what Trainor uses to address suitors. She says her mother has told her “boys like a little more booty to hold at night,” which is another rallying point for her critics. This one is perhaps more legitimate than the “skinny bitches” comment as she’s essentially using outside perception as a factor in determining her own self worth.

This is something that Mix-a-Lot has to do. He is an outside observer. This matters in terms of the context of the message itself. It’s harder to dismiss the commentary of a curvaceous woman speaking about being curvaceous than the words of a man who calls himself Sir Mix-a-Lot.

Which is actually unfair to Mix-a-Lot. The inspiration for this article came from a line in “Baby Got Back,” where he says “so Cosmo says your fat, well I ain’t down with that.” Couple that with his earlier assertions that he’d “rather stay and play,” and you get a picture of a man who’s not necessarily as misogynistic as one might think at first glance.

So what to take away from all of this? Both of these songs essentially preach the same message. Love your body. This is somewhat skewed in the case of Mix-a-Lot as the sexual innuendos tend to dissipate one’s desire to analyze his message. But Trainor’s isn’t exactly perfect either. These songs really aren’t all that different, which really just means you should love your body regardless of what a musician wants to tell you.

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