Ian Thomas Malone

A Connecticut Yogi in King Joffrey's Court

mandalorian Archive



December 2019



The Mandalorian Season One Review: Chapter 8

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Chapter 8 came with plenty of high expectations, even if there probably isn’t a single soul out there who thought that Disney would kill off Baby Yoda after his capture at the end of last week’s episode. Director Taika Waititi, who also voices nurse droid IG-11, is one of the most imaginative filmmakers currently working, a perfect choice for the finale. Unsurprisingly, he delivered a spectacular episode of television.

The opening scene with the Scout Troopers was an emotional roller coaster. Jason Sudekis and Adam Pally were pretty funny, mocking their profession’s well-known reputation for being horrible marksman. They also repeatedly hit one of the cutest characters in television history. Hard to laugh when such an adorable baby is in pain.

For a show with relatively few characters, The Mandalorian managed to deliver satisfying arcs for practically everyone who appeared in more than one scene. IG-11 is not exactly a character who needed to return after chapter one, but the show gave the reformed assassin a redemptive narrative that ended up working quite well. The scene where he rode into town guns-blazing was an absolute treat.

Does Moff Gideon seem like the kind of guy to give people until nightfall, presumably several hours away, to turn themselves in? The whole sequence felt a little arbitrary, especially with the blaster-resistant sewer grate. The revelation of Mando’s name, Din Djarin, was almost as exciting as the sight of his face after all these episodes.

The flashback sequence was also well-executed, though hopefully we’ve seen the last of Mando’s droid bigotry. Baby Yoda’s use of the Force has been handled well, deployed sparingly in a believable manner. The way this episode handled IG-11’s death makes Kuiil’s quicker demise seem a little shortchanged by comparison.

The Armorer ended up being a more emotionally powerful character than I would have expected following her last appearance. Her support of Mando’s mission feels genuine, though the embrace of Baby Yoda by the Mandalorians in general makes you wonder why Mando didn’t just bring him to Mandalore in the first place. Her action sequence battling the Stormtroopers was well-handled. A death by those incompetent fools would have been a bummer.

Hopefully next season will feature more of the backstory behind what happened on Navarro after chapter 3. The Mandalorians paid a heavy price for helping Baby Yoda, especially when you consider how that whole mission went against The Guild, hurting their credibility as bounty hunters. We know little of their broader belief system, but they do seem like genuinely good people.

Carl Weathers did a fabulous job as Greef throughout the season. This episode saw the character deliver his best line, “Come on baby, do the magic hand thing!” His case for the planet of Navarro also felt quite genuine for something that was clearly intended to be comedic relief.

Moff Gideon was well-deployed this episode. The Tie Fighter sequence was great, and the Darksaber revelation was absolutely wild for fans of the Expanded Universe. I’m glad that he survived the season, as Giancarlo Esposito is too good of a villainous actor to only use in two episodes.

I do wonder why it seems that only important characters seem capable of surviving ship crashes in this saga. Luke took several shots to his X-Wing in the Battle of Yavin while practically everyone else not named Wedge Antilles saw their ships destroyed with a single blast. Maybe Moff Gideon had a great airbag.

As much sense as it makes that the group would go their separate ways at the end of the episode, part of me wishes that Cara Dune had stuck with Mando. That whole dynamic would have clashed with the show’s gunslinger vibe, but the episodes where Mando has an ally have worked better than the ones where he’s alone in taking care of Baby Yoda. It’s hard to imagine she won’t be back next season though.

This episode was easily the best of the season, one of the most exciting chapters in the entire Star Wars saga. The storylines came full circle in a very satisfying manner, while leaving plenty to be excited about for next year. The bar was set pretty high for Taika Waititi, who made the perfect case for why he should be given his own trilogy.

Quick programming note: my full season review will be posted later this week. Thank you to everyone who’s followed along with our recaps this season. I hope you had as much fun as we did.

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December 2019



The Mandalorian Season One Review: Chapter 7

Written by , Posted in Blog, Pop Culture, TV Reviews

After a few episodes that were mostly episodic in nature, The Mandalorian is back to serialized storytelling, fitting for the end of the season. Giancarlo Esposito, best known for playing Breaking Bad’s arch-villain Gus Fring, was announced as part of the cast before the season started. The question of when his Moff Gideon would appear remained a subject of intrigue, especially since the final scene of Chapter 5.

Chapter 7 brought the season full circle in many ways, featuring the return of several recurring characters. Kuill, the Ugnaught farmer, and Cara, the New Republic shock trooper turned bounty hunter, are the two closest things Mando has to friends, though Baby Yoda may not identify Cara as such just yet. Both characters work well with Mando, suggesting that the show might have been better off keeping one of them, or both, around for some of the middle episodes. Mando is far more compelling of a lead when he has someone to interact with besides a Force-wielding baby.

IG-11 has been reprogrammed as a butler/nursemaid! The whole “Mando hates droids” bit is getting kind of old, but it was nice to see that the assassin robot can have a nice second career. My second recap was critical of Kuill’s place in the story, but the character brings out a side of Mando that had been missing in previous episodes.

From a narrative standpoint, it makes perfect sense that the Baby Yoda Squad would return to Navarro. It would have been a shame not to see The Client again, especially knowing how much Werner Herzog loves Baby Yoda. The logic behind such a move against a powerful figure makes a little less sense.

Greef Karga is probably right when he says that The Client will never stop hunting Baby Yoda. That said, it’s difficult to say that Mando has really tried all that hard to hide from him. The past few episodes have shown him putting Baby Yoda in harm’s way for the sake of jobs, unlike his past attempt to lay low on Sorgan. The galaxy is supposed to be big.

This whole dynamic grows more complicated when you think about how Obi-Wan decided to hide Luke. Anakin may not have known that Padme was pregnant, but Obi-Wan hardly came up with much of a plan in sending the baby to live with Darth Vader’s step-brother on his home planet, while only changing his first name. By this logic, Mando only needs to buy a remote house and start going by Ben-dalorian.

Baby Yoda showing off some healing powers to save Karga helps expose the obvious trap, leading to a change of heart that comes off as mostly sincere. The plan to deliver an empty bassinet to The Client came across as pretty ridiculous, but these sorts of scenarios are destined to go wrong. From the looks of it, The Client is dead, sadly gone before he could share another scene with Baby Yoda.

The Stormtrooper and Scout Trooper armor looks phenomenal. The sight of the Scout trooper’s on their speeder bikes was a nice throwback to Return of the Jedi, though sadly their aim has improved. Poor Kuill. His reluctance to go on the mission kind of pegged him for death. Too nice a person in this cold, cruel world.

Chapter 7 demonstrated this season’s grasp of episodic storytelling while still building toward the payoff of a serialized narrative. Moff Gideon looks to be an especially sinister bad guy, but the show doesn’t feel like it’s slow walked his introduction. The season seems destined to end on a cliffhanger, but that feels okay from where we stand now.

With only one more episode left of the season, it’s fairly safe to call The Mandalorian a great success. The action sequences have been spectacular, and the character development has been pretty strong for a show with one lead who never shows his face and another who doesn’t talk. Above all else, the show has made a strong case for shorter episode runtimes. Some of the episodes have been a bit lacking in exposition, but that’s certainly better than the drawn out filler approach used by far too many streaming shows these days.

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December 2019



The Mandalorian Season One Review: Chapter 5

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Part of what made last week’s Chapter 4 such a great episode was the simple fact that the show had finally left its initial planet, which we now know is called Navarro. Plenty of recaps, including this one, wondered if that planet was Tatooine, owing to the desert climate and presence of Jawas. “Chapter 5” features the Mandalorian and Baby Yoda arriving on Star Wars’ most iconic planet, a moment that felt weirdly robbed of its potential impact.

There’s a running joke in the Star Trek fandom that revolves around how there’s seemingly endless planets in the universe, but they all look like the same pile of rocks. Obviously there’s a reason for this. Sets are expensive and deserts are easy to create. The Mandalorian is an expensive show, with episodes costing upwards of 15 million dollars apiece to make.

From an audience perspective, cost is a difficult thing to gauge. Shows like Game of Thrones and The Crown clearly look expensive due to their lavish sets and costumes, something that certainly holds true for The Mandalorian. With episode runtimes that barely go beyond a half hour and a palette of monotonous desert landscapes, it can be sometimes hard to be all that impressed with the scale of this show.

Chapter 5 – The Gunslinger further solidifies The Mandalorian as “The Baby Yoda Show.” Each episode feels fairly self-contained in nature, focusing on either protecting the adorable baby or fixing Mando’s ship. For now, that formula has generally produced satisfying television.

This episode felt fairly small in nature. Perhaps some of that has to do with the empty Mos Eisely Cantina, which now allows droids. We see a cute R5 unit inside, along with a bartender who looks like EV-9D9, who worked in Jabba’s palace overseeing the torture of other droids.

The pit droids that worked for Peli Motto were a nice throwback to The Phantom Menace, though it’s unclear why The Mandalorian wouldn’t let them work on his ship. Similarly implausible is the idea that he’d leave Baby Yoda on the ship alone.

There had to be some level of trust toward Amy Sedaris’ Peli Motto in order to leave him there in her general vicinity, but it doesn’t make a ton of sense. This situation does lead to Peli asking her droids to fetch Baby Yoda something to eat, an adorable sequence. A spinoff where Peli simply babysits Baby Yoda would totally work.

Toro Calican is a strong contender for worst character of the season. Jake Cannavale does a decent job with the arrogant wannabe bounty hunter, but he’s an annoying character. That might explain why Mando decided to toss over his binoculars to the Tusken Raiders instead of simply shooting them, an approach he took with the Jawas back in Chapter 2. Thankfully we won’t have to see any more of Toro moving forward.

Fennec Shand is a character who will likely be quite important to The Mandalorian moving forward. For now, this was a fairly weak introduction. Mando and she clearly have a lot of history, but Toro’s presence in the narrative hindered any exploration of this dynamic. Ming-Na Wen was fun to watch, but this episode didn’t really give her any time to shine.

Does anybody on Tatooine need water? It’s a desert planet with two suns, yet Mando and Toro were all too content to sit outside all day in the sun with no shade, and no Camelback. Maybe Mando’s helmet has air conditioning.

This episode had a lot of fan service. From the mention of Coreillian-quality ships to Mando’s “no good to us dead” line, a throwback to Boba Fett in Empire Strikes Back, some were quite easy to pick up on. Most impressive was when Toro remarked, “Who wouldn’t want to be a legend?” to Shand, quite likely a reference to Ming-Na Wen’s status as a Disney Legend.

Chapter 5 was easily the weakest of the show, an episode mostly salvaged by Amy Sedaris’ lively performance. Her relationship with Mando felt oddly organic for the small amount of time they’d spent together, and her affection for Baby Yoda was palpable. It’s too bad she couldn’t join Mando for the rest of the season.

The end of the episode hinted at what’s in store for the remaining three episodes, with an unknown figure approaching Shand out in the desert. It seems likely that this person is Giancarlo Esposito’s Moff Gideon, who was announced for the season but hasn’t appeared yet. After a collection of mostly self-contained episodes, hopefully we’ll see a villain who sticks around for a while. This show can’t rest on Baby Yoda’s laurels forever.


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November 2019



The Mandalorian Season One Review: Chapter 3

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Note: this review contains spoilers

The breakout sensation that is Baby Yoda does not need much of an explanation. The audience knows absolutely nothing about this character, no name, no species, and certainly no backstory. None of that really matters since the character is one of the most adorable creatures in Star Wars history. There is perhaps another reason why this character has won over the hearts of so many in such a short period of time.

As a franchise, Star Wars evokes a lot of emotion from its fans. People passionately dissect every new minute of content entered into this canon for a very simple reason. They care.

The Mandalorian doesn’t give its viewers many outlets to channel that intense emotion. Its title character has yet to show his face. This isn’t a particularly dialogue-heavy show, dispensing character development in incredibly small doses. Baby Yoda captures the audience’s attention through its sheer cuteness, but also because there hasn’t been anything else presented to care about.

Chapter 3: The Sin was a very effective episode, delivering subtle nodes of character development while also establishing the clear arc of the narrative. Wisely, the show is doubling down on Baby Yoda, who won over the Mandalorian while playfully tampering with his ship’s controls. Every scene featuring Baby Yoda is like an instant endorphin rush.

The whole Mandalorian guild is a little silly, a bit too reminiscent of the Jedi Order. Why do all of these people wear their masks at all times? Don’t the insides start to smell?

At least we finally got a female character with a speaking role. Perhaps not coincidentally, this was the first Star Wars live action installment directed by a woman. Deborah Chow did a great job with the episode, particularly with the framing of the action sequences.

Similarly silly was the idea that asking about the bounty is against the Mandalorian “code,” something that was brought up by both The Client and Greef Karga. It’s hardly outside the norm for a bounty hunter to be expected not to care about what happens after payday. There isn’t really a need to mythologize the taboo nature of his line of questioning.

There’s still five more episodes for the Mandalorian to show his face, but it would be a misstep for the show to go the whole season without this reveal. Boba Fett may not have taken off his helmet in the original trilogy, but his father did in Attack of the Clones. The difference between those two roles is that Boba Fett was barely even a character in Empire Strikes Back and Return of the Jedi, on screen for barely more than five minutes. Here, the Mandalorian is a lead character.

This episode featured a couple fun Star Wars throwbacks. A super battle droid appeared in a flashback sequence from the Mandalorian’s childhood. Best of all was when a patron of the cantina uttered “echuta” at the Mandalorian in response to his success with the bounty, a line first spoken to C-3PO by a fellow protocol droid in Empire Strikes Back. “Echuta” is probably the closest we’ll ever get to Star Wars profanity.

Thankfully, the show looks poised to head to a new planet. The dynamic on the planet that’s probably Tatooine was getting a little old, exacerbated by the lack of compelling characters for the Mandalorian to interact with. Carl Weathers is perfectly serviceable as Karga, but the character simply isn’t that interesting.

The action sequences were a lot of fun. We finally got to see a Mandalorian with a jet pack. It’ll be interesting to see how much the Mandalorian mythology comes into play now that the show is heading off planet, but there’s certainly a lot of unfinished business with regard to the fallout of the Baby Yoda jailbreak. Is the credibility of their whole group shot? Who knows, but the mystery is quite compelling.

This episode was hands down the best of the three so far. A lot of the cast has yet to be introduced, leaving plenty of plot for the remaining five episodes. This episode also put the previous one in context as a standalone adventure rather than simply stalling. As long as there’s plenty of Baby Yoda, it seems safe to say this show will continue to be a hit.

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November 2019



The Mandalorian Season One Review: Chapter One

Written by , Posted in Blog, Pop Culture, TV Reviews

Note: This review contains spoilers

The Mandalorian carries a lot of weight that most television series don’t really deserve. After more than a decade of waiting, the first live action Star Wars show is finally here, a drama that also happens to be the flagship offering of a new streaming service. The kind of hype that comes with this terrain would be enough to destroy a planet the size of Alderaan.

To its credit, episode one never feels like it’s trying to juggle all this weight. Instead, it’s mostly an introductory narrative, one that isn’t particularly full of answers or compelling reasons to care about the characters. With regard to the latter, it doesn’t exactly need to give a reason. Star Wars already has plenty of fans.

As a lead, The Mandalorian is a challenging character to get behind. The helmet doesn’t help, limiting Pedro Pascal’s range. As far as this episode goes, how you feel about the title character could largely boil down to how cool you find his costume.

The breakout character in episode one is perhaps unsurprisingly Werner Herzog’s Client. There’s some obvious joy to be had in seeing such an iconic director amidst a group of Stormtroopers, but Herzog plays the role with complexity that makes you wish he were in more scenes.

The first half of the episode relies a bit too much on Mythrol (Horatio Sanz) to carry the narrative. He’s funny and the perspective is helpful as a means to introduce the show, but he’s also a guest character who isn’t going to be around for the long haul. At times, it felt like the episode was kicking its feet, waiting for the big action to begin.

The sight of The Mandalorian and IG-11 fending off countless foes on Arvala-7 was spectacular. The whole sequence brings out the best in Disney+, merging high quality production values with the comfort of one’s own home. The sets are all lavishly designed, but it wasn’t until the blaster fire picked up that everything really started to feel like Star Wars.

The end reveal of a baby from the same species as Yoda, the name of which remains a mystery to this day, felt like a bit of an unnecessary big finish, like the episode wanted to end on a note that would get everyone talking. It worked. We’ve never seen a baby Yoda before, unsurprising for a species that lives for hundreds of years.

While there’s no established norm for runtime on a streaming service, at 39 minutes, episode one feels a bit on the short side for a show meant to be the premier offering for the whole streaming service. That’s not to say that the episode should’ve padded itself with extra filler, but the delivery felt a bit underwhelming. Worst of all, at times, it felt a little long. Not exactly a great sign for an episode shorter than most network TV dramas.

Chapter one was a passable episode of television that never felt like it was trying to win over viewers who weren’t bound to tune in already. Star Wars is a big deal. This episode felt small. That’s not the worst thing in the world, especially since it accomplished some world-building, but Star Wars deserves better.

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