Ian Thomas Malone

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Thursday

17

December 2020

1

COMMENTS

Happiest Season is a regressive disaster of a holiday narrative

Written by , Posted in Blog, Movie Reviews, Pop Culture

Coming out is an almost universally brutal aspect of the LGBTQ experience. Even under the best of circumstances, the process is bound to be full of cringe and bent-up anxiety. A byproduct of the efforts at broader LGBTQ visibility has been the de-stigmatization of being gay as a whole, painting apocalyptic reactions toward coming out with a rightful shade of taboo.

Happiest Season presents its narrative in a world where being gay is still something to be embarrassed or ashamed about. Harper Caldwell (Mackenzie Davis) pushes her girlfriend Abby (Kristen Stewart) back into the closet for a visit to her family, after lying to Abby about having come out to them already. Not only are Harper’s parents very conservative, her father Ted (Victor Garber) is running for mayor.

This is the world that Happiest Season shapes for its spin on classic holiday tropes. Dick Cheney was elected vice president in the 2000 election on a Republican ticket while having a gay daughter. Twenty years later, the same dynamic apparently appears to be a subject of great scandal for a small-town mayoral contest. The film doesn’t really explicitly state its location, but it’s hard to imagine where, or frankly when, this mess is supposed to take place.

Harper’s parents’ issues aren’t simply limited to homophobia either. Her sister Jane (Mary Holland) is treated like a pariah, a subject of immense, open disdain and mockery from the rest of her family. Harper’s mother Tipper (Mary Steenburgen) is comically rude, abusing Abby for being an orphan right as they walk through the door. As if that wasn’t enough, Sloane (Allison Brie) makes her introduction late in the first act, a formerly successful lawyer in the middle of a crumbling marriage.

The Caldwell family are horrible people with seemingly no redeeming qualities. Director Clea DuVall, who also co-wrote the screenplay, throws them out there like we’re supposed to laugh along with these truly loathsome individuals. The dialogue is often pretty terrible. The cast, which also includes Dan Levy and Aubrey Plaza, is way overqualified for this disaster, unable to make much out of the sloppy writing.

The real rot at the core of Happiest Season lies with Harper. We’re never really given a solid reason for why she feels it’s okay to push the love of her life back into the closet, an immensely inappropriate proposition in the modern era. Not only does the film push an unhealthy dynamic on gay people, it never really tries to justify itself. Davis gives a pretty wooden performance, unable to elevate her character beyond the laughably stale tropes.

DuVall does try and grapple with this dynamic late in the third act, but by then it’s well past the point of redemption. There are too many feints toward subplots that don’t really go anywhere, squandering time that could have been spent salvaging the Caldwell family. Family is complicated, but this family is so deplorable beyond their homophobia that it’s hard to care much about resolution. These aren’t the kinds of issues that can be solved in a single holiday.

LGBTQ people don’t have a ton of holiday staples to call our own. In some ways, Happiest Season doesn’t really fit this category either. It features gay people in lead roles, but this film caters almost exclusively to the guilt that heterosexual families might feel for their past behavior toward gay children. Everyone can take solace in the fact that they aren’t as mean as the Caldwell’s, but that’s not a very good message to send regarding inclusivity.

Happiest Season is a sloppy, regressive mess full of one-note characters. This film sends all the wrong messages about tolerance in the year 2020. A lot of talent were involved in the making of this film. What a shame.

Thursday

17

December 2020

0

COMMENTS

St. Elsewhere’s Transgender Storyline

Written by , Posted in Blog, Podcast

We are doing a deep dive into LGBTQ TV lore by exploring one of the all-time greats in the medium, St Elsewhere, which aired a transgender storyline all the way back in 1983. We are joined by Jessica Halem, former director of LGBTQ Outreach & Engagement for Harvard Medical School and tireless advocate for inclusivity in medicine, to help understand evolution of the medical community toward gay & transgender patients over the past few decades. Jessica shares so many great insights from her career, helping put these episodes into context.

We’ll be talking about episodes 12-13, “Release” & “Family History,” from St. Elsewhere’s first season. Both episodes can be watched on Hulu. Ian highly recommends the series as a whole, which features Denzel Washington, Howie Mandel, Ed Begley Jr., and William Daniels (Mr. Feeney from Boy Meets World) in starring roles.

You can learn more about Jessica on her website https://www.jessicahalem.com/ and on Twitter @jessicahalem

Jessica’s partner Jen Manion appeared on an earlier episode of EI promoting their book Female Husbands.

 

St. Elsewhere title card courtesy of 20th MTM Enterprises.

Tuesday

15

December 2020

0

COMMENTS

Star Trek: The Pon Farr

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The Pon Farr is one of the weirder aspects of Star Trek lore, making it a natural topic for Estradiol Illusions to explore! Join host Ian Thomas Malone and specials guests Johnny Kolasinksi and Dr. Jackson Vane from Hi Everybody – a Bad Medicine Podcast, as well as Dr. Courtney Nicholas and Dr. Greg Winter for a wide-ranging discussion all about everyone’s favorite Vulcan mating ritual. What would happen is a transgender Vulcan underwent the Pon Farr?  Why don’t any Vulcans ever want to talk about this totally normal biological function? All of that and much more ahead!

This episode covers the following Star Trek episodes, as well as parts of Star Trek III: The Search for Spock

TOS: “Amok Time”

VOY: “Blood Fever,” parts of “Blood & Soul”

ENT: “Bounty”

 

For more of Hi Everybody, check out their website https://hieverybody.libsyn.com/ (available on all major podcast platforms). 

You can also follow Hi Everybody on Twitter, @hieverybodymd and Johnny, @cycloptiko, and Jackson, @JacksonVane

 

Star Trek logo courtesy of ViacomCBS

 

Saturday

12

December 2020

1

COMMENTS

The Mandalorian Season 2 Review: Chapter 15

Written by , Posted in Blog, Pop Culture, Star Wars, TV Reviews

This season of The Mandalorian has done a superb job with its big moments. Ahsoka Tano, Boba Fett, and Bo-Katan all shined in their debut episodes. As a medium, television rarely relied so heavily on the giant splashes before the streaming era. The quieter moments need to count too.

The Mandalorian is not very good at stopping to take a breath in order to process its events. Mando has assembled an impressive team of Fett, Fennec, and Cara Dune to help him rescue Grogu, but as an episode, “The Believer” cares very little for any of these people. Chapter 15 belonged to Migs Mayfeld.

For a show starring a puppet and a bounty hunter who never removes his helmet, The Mandalorian has done a fairly decent job building up its supporting bench. Bill Burr shined in last season’s sixth episode as the backstabbing former Imperial sharpshooter. Now imprisoned, Mando needs his services to figure out the location of Moff Gideon, whose imprisonment of Grogu apparently prevented him from making an appearance this episode.

The whole Morak quest was a fairly paint-by-numbers undercover mission. The Mandalorian often leans heavily into Western tropes, but here it was borrowing heavily from the spy/adventure shows that once populated the network TV landscape. It’s fun without being particularly inventive or ambitious.

Most jarring in the episode was the sequence after the undercover Mando and Mayfeld fought off a raiding party, only to be greeted with a chorus of applause from Stormtroopers. We rarely see Stormtroopers winning anything, let alone actually hitting a single target. If anything else, it was entertaining to watch.

Burr did a great job with fairly mundane material. His commentary on the geopolitics of Morak was a clear substitute for American interventionism abroad in places like Vietnam and Iraq, fairly out of place in the Star Wars universe. As the audience, we can follow along with his broad points as they relate to our reality, but that isn’t a dynamic Star Wars has ever really shown to us. The Empire and the New Republic are not really two sides of the same coin.

The dramatic tension in this episode mostly stemmed from Mando being forced to remove his beskar helmet. As soon as the Stormtrooper helmet went on, it became clear that we’d probably get an appearance from Pedro Pascal, mustache and all. Bo-Katan’s statements on Mando’s sect of Mandalorian being extremists set this all up quite well.

Pascal handled the dynamic well, constantly looking like a fish out of water without his security blanket. It’s not a super compelling conflict, since I imagine most of the audience would rather see Pascal on a regular basis rather than stare at Mando’s expressionless helmet. Like Mayfeld’s pontifications on relativism, much of this drama felt like going through the motions.

Mayfeld gets redemption as a character through his ill-advised rant to his former commanding officer Valin Hess (Richard Brake, who’s familiar to Game of Thrones fans as the first Night King). The whole sequence was obviously made to set up his release at the end of the episode, while maybe also serving to show him as not a bad guy. It’s entertaining while also being just a tad too predictable.

The action was mostly good, even if the sight of numerous Imperial officers running to their immediate deaths in the mess room hallway seemed a tad ridiculous. Cara and Fennec had some moments, but Fett was left with not enough to do. I guess we can blame that on some stage fright that some Imperials might recognize his face after his father served as the template for the entire Clone army.

This season has largely been about Mando coming into his own as a father. With that in mind, it’s easy to see why the show wanted to have Mando send a threatening message to Gideon. It did feel rather out of place for him as a character though, needlessly showing his cards.

While a bit lazy in its execution, Chapter 15 served as an effective set-up for the season finale. Burr got his moments to shine, but with a 38-minute runtime, it’s hard to make the case for why no one else could have had a moment as well. Fett superfans were bound to be disappointed by the sidelining of the original helmeted bounty hunter. The Mandalorian needs to do a better job with simply taking a breath every once in a while.

For more Mandalorian coverage, check out Estradiol Illusions’ weekly recaps 

Saturday

12

December 2020

0

COMMENTS

The Mandalorian Season 2 Recap (Episode 7)

Written by , Posted in Blog, Star Wars

Why does Mando wear a mustache? Join Ian as she spends most of the episode pondering the show’s existential questions (mostly kidding!), like why Boba Fett spent much of Chapter 15 hiding. Mayfeld returns, bringing American interventionism into the equation, territory that Star Wars hasn’t quite presented as something its audience should worry about with regard to the New Republic. 

No Grogu this week, but never fear. A sighting of Pedro Pescal’s beautiful face can go a long way toward forgetting about that adorable little fella.

Ian’s written review: https://ianthomasmalone.com/2020/12/the-mandalorian-season-2-review-chapter-15/

Thursday

10

December 2020

0

COMMENTS

The Year Without a Santa Claus

Written by , Posted in Blog, Podcast

Hop aboard your reindeer and be sure to watch out for the Miser brothers, because we are taking a journey down to Southtown. Join Ian and very special guest Barbara “Bibble” Malone as they break down the seminal holiday favorite The Year Without a Santa Claus. Santa may have wanted a year off, but a certain pink-bowed girl had other plans. We’d have a blue Christmas without this holiday classic! 

Be sure to check out all our holiday coverage! 

Wednesday

9

December 2020

0

COMMENTS

Rudolph: A Transgender Perspective

Written by , Posted in Blog

Rudolph with your nose so bright, won’t you guide my sleigh tonight? Such is the question Santa posed, after committing acts of intolerable cruelty against the poor young reindeer merely because he was born different.

Transgender people have heard this story before.

The TV special Rudolph the Red-Nosed Reindeer reinforces casual bigotry. Its Santa is a giant asshole. Santa & Coach Comet can go straight to hell. No reindeer games, no presents, just a steaming pile of coal and a permanent place on the naughty list. Never allow your oppressors to gaslight you into pulling their sleigh.

Ian’s original article from 2017

Tuesday

8

December 2020

0

COMMENTS

TTTE & Chill: Thomas’ Snowy Surprise

Written by , Posted in Blog

Holiday themed TTTE & Chill! Join Ian & Tarabelle for a trip to the Island of Sodor for a bunch of snowy shenanigans. Percy’s driver abandons him on a siding to be covered in ice, while Skarloey’s crew roughs it out inside the igloo. Why didn’t Terence get to come to Mrs. Kyndly’s Christmas party? How is he supposed to watch over her house? All of that and more!

This tape covers the following episodes: 

 

  • It’s Only Snow
  • Jack Frost
  • Toby Had a Little Lamb
  • Snow
  • Thomas’ Christmas Party
  • Thomas and the Missing Christmas Tree
  • Winter Wonderland (Music Video)

**Note** We chose this tape over earlier Christmas’ features as this one does not contain duplicate episodes that TTTE & Chill has already covered or is about to cover.

VHS image courtesy of Anchor Bay Entertainment

Saturday

5

December 2020

0

COMMENTS

The Mandalorian Season 2 Recap (Episode 6)

Written by , Posted in Blog, Star Wars

Grab your jetpack and your Sarlacc pit, Boba Fett is back! The long-awaited return of everyone’s favorite tertiary bounty hunter lived up to the hype. Temuera Morrison was absolutely superb.

Ian provides some context for Boba Fett’s popularity, including his debut in the beloved Star Wars Holiday Special. Mando might not be very good at watching his son, but at least Grogu has darksaber to keep himself occupied.  

Ian’s written review!

Saturday

5

December 2020

1

COMMENTS

The Mandalorian Season 2 Review: Chapter 14

Written by , Posted in Blog, Star Wars

Eight episodes is not a lot of time to get much done in a single season. For all the ways that The Mandalorian has excelled at episodic storytelling, season two has pushed the broader narrative forward in a way that seemed quite unlikely given the trajectory set forth by its freshman effort. Six episodes in, season two has jammed in a very impressive amount of plot development.

Boba Fett’s shadow has loomed in the background of the show since at least its fifth episode. The figure who saved Fennec Shand (Ming-Na Wen) was widely believed to be the fan favorite bounty hunter who made his debut in The Star Wars Holiday Special. Fett’s cameo at the end of this season’s first episode further reinforced this notion, especially after Mando acquired his armor from Cobb Vanth.

The Disney era of Star Wars has given the prequels a newfound sense of relevance, both in relation to the sequel trilogy and for the fact that many of the actors are still available for follow up appearances. As terrible as Attack of the Clones is for many reasons, Temuera Morrison’s performance as Jango Fett represented one of the best aspects of the film. Since Clones established Boba as a clone of his father, Morrison represented the natural choice to play the adult character seen without his helmet for the first time.

“The Tragedy” made Star Wars history for introducing the planet Tynoth into the live-action canon, with its vital importance to Jedi history. That said, this episode belonged to Morrison. For all the love the character gets from the fandom, Boba Fett is an extremely minor character in the original trilogy, with only a single scene of dialogue. Morrison showed his talents as Jango, bringing a subtle level of depth to the battle-hardened mercenary with his restrained emotions.

Like Mando, Boba Fett works in a scummy profession. Also like Mando, Fett has heart. He does bad things without necessarily being a bad person. Here, Fett opposes Mando on reasonable grounds. Mando has his armor, thinking he’s doing what’s best by withholding the beskar from a non-Mandalorian. Mando’s encounter with Bo-Katan earlier this season cast showcased that his sect of Mandalorian culture isn’t necessarily the only “way.”

The episode started off with a touching exchange between Mando and Grogu, reflecting the growth of their father/son relationship, often best expressed through the child’s affection for his round metal ball. While The Mandalorian isn’t likely to permanently separate the two until the series has run its course, it is important for the show to acknowledge that Mando’s core objective is to safely return his adoptive son to his people.

Grogu’s rock-induced message was a little silly, coupled with Mando’s inability to contact him. The dumbest point of the episode centered around Fett asking Mando to remove his jetpack with no sensible narrative rationale. Obviously that line was designed to provide a reason for why Mando couldn’t chase after the Dark Troopers, but the whole sequence was a bit forced.

Episode director Robert Rodriguez lived up to the high standards set forth by his film resume. The Mandalorian almost always has great action sequences, but seeing Boba Fett make quick work of the Stormtroopers was very entertaining to watch. The Stormtroopers armor hasn’t been this worthless since they were defeated by a bunch of rock-throwing Ewoks back in Jedi. The missile shot that blew up two Imperial ships was one of the coolest things Star Wars has ever done.

In some ways, the short episode runtime was justified by the scope of the narrative presented. Save for brief scenes aboard Moff Gideon’s Imperial cruiser and Mando’s encounter with Cara on Nevarro, most of the episode took place on a single stretch of Tynoth. Some exposition for how Fennec and Fett became allies would have been nice.

Viewers are bound to wonder how Boba Fett escaped the sarlacc in Jedi as well. The now-noncanon Legends book series offered a fun explanation, with fellow Empire bounty hunter Dengar coming to Fett’s rescue on Tatooine. Given that Fett will be around for at least a few more episodes and that The Mandalorian has shown some affection for the Expanded Universe, I wouldn’t say this explanation isn’t completely out of the realm of possibility for the show.

R.I.P. Razor Crest. After the mess on the ice planet, it’s not too surprising to see Mando’s ship bite the dust. Mando deserves a better ship anyway, preferably one where Grogu can have his own bedroom.

The whole kidnapping plotline felt a bit predictable. Moff Gideon was bound to get his hands on Grogu eventually, but the method deployed came across as forced and contrived. The episode quickly redeemed itself when Baby Yoda choked a few Stormtroopers and Gideon pulled out his Darksaber, but a more prolonged confrontation might have made this whole sequence more justifiable.

Chapter 14 gave an underappreciated fan favorite a much needed victory lap. Rodriguez proved to be a perfect choice for directing this action-heavy episode. The Mandalorian has been pretty spectacular this year, with very few episodes that could be classified as filler. With all the talk of the Mandalorian civil war and the formation of the First Order, the show is starting to lean heavily into broader Star Wars lore. Hard to believe that there’s only two more episode this season to explore all of this.