mance rayder Archives - Ian Thomas Malone

Game of Thrones Season 5 Recap: Episode 1

Written by Ian Thomas Malone, Posted in Blog, Game of Thrones, Pop Culture

This recap features analysis from a devoted book fan. Spoilers will largely be kept to comparisons between the show and the books within the episodes themselves, but if you hate spoilers you should probably not read these articles. I encourage you to subscribe so you never miss a recap. Thank you for reading.

For all the talk of how different this season would be from the books, the episode got off to a start that pretty much paid homage to A Feast for Crows. One of AFFC’s strongest attributes is the intimate look it gives the reader into Cersei’s thoughts/backstory, as it’s the first book to feature her as a POV character. The flashback with Maggy the Frog is certainly foretelling of things to come for the Queen Regent.

This episode largely played catch-up, setting up the plots for the season. GOT premieres and finales are tricky as they generally involve the entire cast, which makes screen time problematic. Balance wasn’t much of a problem as the episode allotted a fair amount of time to just about everyone.

I particularly enjoyed the Varys/Tyrion scenes. Varys disappears from the tail end of A Storm of Swords all the way until the epilogue of A Dance With Dragons and it would have been a waste for the show to abandon him for that length of time. My mouth did salivate a bit at the thought of future Varys/Daenerys scenes.

I haven’t written at all about my thoughts on scrapping (f)Aegon from the show, largely because I approve of it. The last thing this show needs is more characters and this season will already introduce Dorne and the rest of House Martell. Condensing Tyrion’s long and problematic voyage to Dany seems to be in the best interest of the show.

The Castle Black plotline also seems to be accelerating rather rapidly. Parts of it aren’t caught up to A Storm of Swords while others are well into A Dance With Dragons. By the time Mance was “burned alive” in the books, Jon had already been elected Lord Commander of the Night’s Watch. That plot was hinted at, but played a backseat role to Stannis’ need for more troops. I did find it odd that the idea of legitimizing Jon Snow wasn’t brought up, though I imagine that’s coming fairly soon.

Like many, I’ve criticized the show’s handling of Stannis, who’s affectionately known as Stannis the Mannis to many. Stannis and Jon develop a mutual respect for each other in ADWD that makes the often quite boring Wall chapters far more enjoyable in the books. The potential bromance will undoubtedly be called in question after Jon mercy killed Mance, though it’s unclear whether the show will follow the books with what happens to The King Beyond the Wall.

The Littlefinger scheming is also very interesting and so different from the books that comparing the two almost seems silly. I sort of gathered that they could be heading to Essos, which makes me wonder if Littlefinger will head to the Braavos to consult with the Iron Bank or try to throw in with Dany. I really liked the way that Sansa has grown as a character, treating him like more of an equal than a protector.

Dany’s plotline was mostly like the books, though I detest the show’s love affair with Grey Worm, who isn’t really all that interesting in the books. A certain large eunuch by the name of Strong Belwas would have been useful when the fighting pits were brought up. I can’t be the only book fan who thought of nothing but him during those scenes.

The pacing of the King’s Landing plotline was pretty flawless. The show took its time setting up the inevitable Cersei/Jaime conflict and the reintroduction of Kevan and Lancel Lannister without biting off more than it could chew. I also like that it kept the Mountain/Qyburn stuff for another episode, though I’m sure viewers are wondering what is up with Frakenstrong.

It remains to be seen what Brienne is going to do with herself, though I wouldn’t be surprised to see her involved with Sansa in some way if for any other reason than she doesn’t appear to have anything else to do. This was a strong opening episode that did everything it needed to do to set up the season. The changes were welcomed as they all appear to work toward translating the often uneven plot progressions of AFFC/ADWD to television. As a fairly hardcore fan of the books, I didn’t have a problem with any of it, though I am concerned that the show will try to villainize Stannis, who will soon turn his full attention to the Bolton’s, who are the actual bad guys in the North. Well, them and the White Walkers.

Game of Thrones IMAX Proves Some Free Things Are Worth Paying For

Last night I went to see Game of Thrones in IMAX. The allure of seeing the Battle of Castle Black on big screen was enough to get me to shell out money to pay for something I could not only watch for free, but have already watched for free. This being the first time that a TV show was shown in theaters also had some appeal as a fan of popular culture.

The biggest surprise of the night didn’t come from the episodes, naturally, but the theatre attendance. The theatre was at around 75% capacity. Granted, it was a Saturday night, but the attendance wasn’t noticeably smaller than the crowd that was at the showing of The Hobbit I attended (coincidentally in the same theatre in that cinema). Game of Thrones is a worldwide phenomenon and clearly more than the die hards showed up. There weren’t many people sporting GOT attire, but I did see one Hodor shirt. I probably would have left if there weren’t any.

The episodes translated beautifully to the big screen. The battle looked like any battle you’d see in any epic fantasy, maybe even better with emphasis on actual people instead of CGI. I spent most of my first viewing of the episode counting the differences between it and the battle shown in A Storm of Swords and found that the IMAX was so aesthetically overpowering that I could just sit back and enjoy the show.

“The Children” fits well as a companion to “The Watchers on the Wall” for the big screen. The decision to start the episode at the Wall when the previous episode was nothing but Wall proved intelligent as movie goers were treated to the complete narrative, briefly interrupted for a “previously on,” and the credits for a second time. The episode is less about battles and more about plot resolution, but there’s enough in here to justify its presence on the big screen.

The trailer at the end was a nice treat. I’m glad I didn’t watch the leaked version before seeing it in theatres as it was beautiful to watch on IMAX (particularly Peter Dinklage’s new goatee). As some characters are completely caught up on the books (though some are not entirely through A Storm of Swords), this coming season will have plenty of fresh material for book and show viewers alike. The days of “that didn’t happen in the books” may not be over, but they might get increasingly standard, as it becomes more the rule than the exception.

Was it worth it? It wasn’t cheap. The ticket was the standard cost of an IMAX film despite not being a film or anything new besides a few minutes of trailer. That doesn’t answer the question.

Yes.

It was fun. That’s the point isn’t it? The battle was beautiful. Brienne fighting the Hound was luscious. Hodor hodoring through crisp sound was marvelous. IMAX makes everything better and that was certainly the case here.

I don’t think this has widespread ramifications for the TV to big screen debate that’s sprouted up as a result of this event. Analysts are quick to judge the viability of TV on the big screen as this is the first time its been done. The fact that many viewers watch the show on a computer or tablet is certainly a relevant point. “It’s not TV, it’s HBO” took on a whole new meaning, but I wouldn’t call this a game changer just yet.

This worked for two reasons. First, Game of Thrones is huge. Big enough to justify the hype. The only other show with the fanbase to make something like this work is Downton Abbey. I’d probably pay to see that in theatres too.

Second, these two episodes worked perfectly in conjunction for something like this. Without the battle centric “The Watchers on the Wall,” it wouldn’t have worked. The narrative jumping around as it does normally would’ve made it feel much more like a TV show than a movie. Having just The Wall made it feel just like a movie.

The only other season of Game of Thrones that could’ve pulled it off was season two with “Blackwater” and “Valar Morghulis.” I don’t doubt that HBO will want to try this again with season five. Whether or not that’s a good idea remains to be seen, but without a battle centric episode, it seems like a bit of a reach.

It was a unique experience. I wouldn’t flock to the theater to see TV in more or less any other instance, but as an ASOIAF fanatic, I felt obliged to indulge. It could’ve used more Stannis, but all in all it’s worth seeing if you’re a big fan of the show.