Ian Thomas Malone

A Connecticut Yogi in King Joffrey's Court

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Tuesday

11

November 2014

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Season 5 of Downton Abbey Bides Its Time While Waiting for the End

Written by , Posted in Blog, Downton Abbey, Pop Culture

Change has always had a consistent presence on Downton Abbey. Being a period drama, we have a fairly good idea of where the show is going to go as it creeps closer to its inevitable finale. Despite this, the show has done a remarkable job in breathing new life into the old house and decaying aristocratic society.

We saw this particularly in season three with the arrivals of Alfred, Jimmy, and Ivy, which gave the show’s dynamic a breath of fresh air. The youth movement did wonders to negate the feeling that from here on out, life at Downton would veer from the extravagant to the simplistic. With Alfred’s departure in series four, Ivy’s after the Christmas Special, and Jimmy’s after the first episode of series five, that youthful energy is all but gone, leaving Daisy in a similar holding pattern she was in at the start of the show.

The absence of the three of these characters isn’t a big loss from a story perspective. Eight episodes is hardly enough time to adequately address the show’s ensemble cast anyway. Their departures address something that we’d all rather avoid. Things are winding down and now it’s starting to show.

The future was a predominant theme is season five. Carson, Hughes, Patmore, and the Bates all made arrangements for their retirements while Tom continued to grapple with his desire to leave for America while taking Sybbie’s best interests into consideration. Lord Grantham continued to weigh the interests of the village against his obligation to preserve the way of life that can be threatened by those whose interest lie solely in monetary game. Mrs. Crawley debates a marriage proposal to the disdain of Lady Violet, who fears losing her treasured companion as selfish as that may be.

Problem is, this is all familiar territory. Edith and Tom’s storylines are merely continuations of plots from last season that could, and probably should have been wrapped up. Lady Rose’s late season courtship with Atticus is just about the only fresh plotline to be had other than Mrs. Crawley, who unexpectedly found herself in possession of one of the show’s better stories.

The Bates remain the biggest thorn in Julian Fellows’ paw. He has never really known what to do with them. Sadly, this has resulted in yet another murder plotline that’s even more droll and tedious as the first. It’s hard to imagine that #freebates was ever a legitimate fan rally as the couple hasn’t had a positive moment in years.

Fan sentiment also provides a roadblock for Lady Edith and her illegitimate child. It’s sad story. It isn’t a particularly interesting one and Edith’s years of being an annoying/whiney character didn’t do the plot any favors. After five seasons of watching her mope around, it’s hard to care.

This season had a few shining moments worth remembering. Miss Bunting quickly became of the most hated characters in the show’s history and Fellow’s timed her depature perfectly as to not allow her to overstay her welcome (or rather unwelcome). Thomas received redemption of sorts from Dr. Clarkson in one of the season’s most touching moments. Molesley was Molesley and as such, got his own article.

I watched an old season two episode in between episodes to see the contrast between then and now. It’s to be expected that shows drop off a bit as they get older. Even a worldwide phenomenon like Downton.

The problem is that Downton has an identity crisis, a problem that’s existed since the World War I storyline ended but was exacerbated by Matthew’s death. The show knows where it’s going, but it doesn’t know what to do with itself in the meantime. It seems to be a fairly safe assumption that next season will be the final one, which may not be such a bad idea.

Downton Abbey is certainly more entertaining the most of what’s on TV, but it’s also clear that the show is well past its prime. Fellows overindulged in repetitive storylines and drew out others unnecessarily. It’s hard to call season five bad, but when the bar was raised so high from previous years, the drop in quality is a tad unfortunate. The Dowager would certainly not be impressed.

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Friday

7

November 2014

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Mr. Molesley: The Man, The Myth, The Legend

Written by , Posted in Blog, Downton Abbey, Pop Culture

From his first appearance in episode two, it would be hard to tell that Joseph Molesley would become one of Downton Abbey’s most endearing characters. From butler to valet to laborer to footman, Molesley has a list of occupations rivaled only by Thomas. The backwards progression of these jobs naturally lead to a consistent suffering matched only by Lady Edith. Yet as season five comes to a close, Molesley goes on, earning both the adoration and respect of his fellow workers and viewers alike.

Molesley begins his time on Downton as the butler to Mrs. Crawley, a job that appears to have been organized by either Robert or Violet as Molesley was away from the area at the start of the show. He continued to be a minor character and occasional comic relief throughout the first season. His standout moment was perhaps when Matthew struggled to embrace his services, creating a unique moment where the lavish excess of the upper class is countered by the pride that a person like Molesley takes in his duties.

We see this evolve in season two as Molesley finds himself with little to do in Mrs. Crawley’s absence. Rather than sit around twiddling his thumbs, Molesley makes himself useful at the big house. This is overshadowed by his accidental drunkenness brought on by wine tasting and his failed romantic overtures directed at Anna. Season two establishes Molesley as the good-natured Mr. Bean like klutz destined to be Julian Fellows’ whipping boy.

This “Molesley must suffer” mentality continues in season three. With Matthew engaged to Lady Mary, it makes sense that Molesley would be destined for the big house as the valet to the heir of Downton. Problem is that Matthew doesn’t want a valet. But then he gets one for some strange reason, only it’s not Molesley. It’s Alfred. Without the interference by a jealous Thomas, who insisted that Alfred was not ready for such duties, Molesley might still be in the service of Mrs. Crawley.

Molesley’s high status as Matthew’s valet was short lived. While Mary and Mrs. Crawley could recover their statuses following Matthew’s death, there was no one for Molesley to valet for. Season four showed Fellows’ love of making Molesley suffer as convenient landing destinations for his services were foiled using spotty logic. Mrs. Crawley could’ve easily taken him back as butler and Spratt could have been kicked to the curb following his sabotage of Molesley’s audition. So poor Joesph had to settle for the lowly job of second footman.

The problem is that the positive outcomes would’ve taken him away from the big house, which at this point is where he belongs. The staff has taken quite a beating over the past two years, seeing O’Brien, Alfred, Jimmy, and Ivy all leave. The latter three weren’t exactly replaced by new characters, making Molesley even more important.

There are two distinct versions of Molesley that the viewer gets to see. There’s the drunken bumblehead who loses at cricket and can’t seem to catch a break. But then there’s the man who shows a genuine desire to help others like Baxter and Daisy and of course, the strong man victory in the season three Christmas special.

Mrs. Patmore’s scolding of Daisy for her treatment of Molesley was what prompted me to write this article. In telling Daisy to be nice to people who are kind, Patmore reminds us why people like Molesley are special. They’re rare.

Molesley has had his fair shares of ups and downs, but besides his reluctance to accept the footman position, which received a rather rude response from Carson, he takes his fortunes in stride (even his strong man carnival victory). How many of us can say the same?

Through five seasons, Molesley has grown from a background comic relief figure to the heart and soul of Downton Abbey. He’s an older worker facing uncertain times without the capital of Carson, Hughes, Patmore, and the Bates, who can all invest in retirement options. But you wouldn’t know that just by looking at him. He’s neither the best looking nor the most interesting person on the show, but his consistent good nature sets him apart from the rest of the cast and earns him a place in the viewer’s hearts.

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