Ian Thomas Malone

A Connecticut Yogi in King Joffrey's Court

Monthly Archive: January 2018

Wednesday

10

January 2018

1

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Luke Skywalker Never Changed

Written by , Posted in Blog

Note: This article contains spoilers for The Last Jedi.

Luke Skywalker is not a great character. He whines all the time, whether it’s at his uncle for making him do chores, his teacher for making him do swamp cardio, or at his father for not being around when he was little. He is almost always the worst person on screen in Star Wars, constantly upstaged by Han, Leia, R2-D2, Vader, Yoda, Chewbacca, Bib Fortuna, and the Jawas. He is by far the lamest major character in the original trilogy, beating runner-up C-3PO by a wide margin.

People are mad about the characterization of Luke Skywalker in The Last Jedi, suggesting that his behavior was inconsistent with the earlier films. I don’t think so. Luke was a whiny little boy who grew up to be a crabby old man. What’s inconsistent with that?

Luke is a coward. He waited until everyone else had died before attempting a trench run on the first Death Star. He escaped Hoth through the back door, avoiding all the Star Destroyers that everyone else had to face. He ran away to his daddy instead of attacking the shield generator with Han and the Ewoks. It is no surprise that he refused to leave his Porg island to face Kylo Ren and decided to die rather than help his sister rebuild the Resistance, which had dwindled to a size that could fit comfortably on the Millenium Falcon. When disaster strikes, Luke has never wanted to be around.

The distinctions between Luke’s exile and those of Yoda and Obi-Wan further reveal Master Skywalker’s cowardly nature. The latter two Jedi exited stage left after becoming hopelessly outmatched against Palpatine, serving only as liabilities to those who would offer them sanctuary. Luke got upset after getting caught being paranoid about Kylo Ren and left, though presumably, the New Republic had enough firepower to deal with the budding Snoke situation, especially considering how weak a villain the Supreme Leader turned out to be. Obi-Wan returned to the fight when Leia called for him. Luke shrugged and went looking for nipple milk.

The entire plot of The Force Awakens is driven by a map to Skywalker, a man who doesn’t even want to help. What was the point of that movie? What does it really say about Luke’s character that he would allow people in the Resistance to die to protect a map all because he was too selfish to leave a forwarding address?

There is something to be said for the idea that Luke disconnected from the Force because he thought it had caused nothing but problems. He is essentially correct, though in this case abstinence would hardly be the best prevention as the Sith would still exist to reek havoc. Humanity has a lot of bad apples. We as a collective body keep going. The Force keeps going, even if Luke was too lazy to put in the effort to bring about real change. The Force cannot be bad simply because Luke does not care to be good.

The Last Jedi has its problems. The fuel shortage/slow speed chase plot is incredibly weak. Snoke is pathetic. The casino subplot was boring and unnecessary. None of these complaints have much to do with Luke Skywalker. His part was fine.

Luke had one job in The Last Jedi: to pass the baton. Luke is not the hero of Star Wars anymore. The idea of his character sticking around as a kind of mentor to Rey conflicts with his status in the franchise. As the “chosen one,” he can’t retire, not when Leia, Chewbacca, Nien Numb, and company are still in the fight. He shouldn’t be the center of attention, but it’s hard to successfully marginalize a character with abilities as strong as Luke’s in a narrative. He’d be a major whiny distraction in a franchise with no shortage of interesting new characters, even as the death of Carrie Fisher brings an unfortunate end to Leia’s arc.

Luke had a good send-off. He got to phone in a pretend battle and quietly fade away. Sure there are plenty of old fans who wished Luke could do backflips and hang upside down from ice shackles in a Wampa cave, but those days are over. There will be new adventures with new characters who don’t whine as much and certainly don’t need to go to Tosche Station to pick up power converters.

Star Wars is not about Luke Skywalker. It’s about the various predicaments that prevent C-3PO and R2-D2 from hanging out. Luke stayed consistent from his first appearance on Tatooine to his final pretend battle with Kylo Ren. His arc in The Last Jedi should be celebrated for bringing an end to a character whose immaturity has always been a detriment to the franchise. Yoda’s skepticism was well founded. Finally, we have cut our losses.

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Tuesday

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January 2018

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Call Me By Your Name is an Unapologetic Celebration of Emotion

Written by , Posted in Blog, Pop Culture

Call Me By Your Name is a difficult movie to summarize. It’s a love story that is more about the idea of love than actual romance. It’s an LGBT movie set in the early 80s that eschews many of the hardships that gay people still face to this very day. Despite the age difference between the seventeen-year-old protagonist and the graduate student staying with his family at their cozy villa in Italy, the problematic power dynamic between the two never presents itself in a way that today’s current climate might otherwise call for.

In other words, Call Me By Your Name belongs entirely to itself.

Elio is a closed off teenager. He’s brilliant, but he’s a loner who doesn’t look entirely comfortable in that role. Books, piano, and a stable girlfriend are not enough. Something isn’t quite right.

Oliver is living the dream. A graduate student spending his summer holiday working with a professor in a quiet Italian town where everyone travels by bicycle and dances to the Psychedelic Furs at night, he’s got no complaints. Everything is quite right.

Summer love possesses a peculiar power to intensify emotions and make each day seem like an eternity on the brink of collapse. A time of the year where one can seize each moment because there is nothing standing in the way, except time. There’s a reason people hate September. It brings an end to the world where one can stay up all night and sleep all day, forcing one to reconcile with the loss of that magic, stripped with no regard for the relationships it brings crashing to a halt.

Call Me By Your Name takes all the emotions of summer love, and tosses in both first love and forbidden love, where its time period makes its biggest impact. The movie builds up this pressure cooker of emotions, giving its audience a first-hand glimpse as to what it really means to feel for the first time. The particulars are not as important as one might think. It doesn’t matter if summer love or first love may not be “real love” in the sense that love of that sort doesn’t come with a happily ever after ending, unless it’s guided into a fresh peach. Summer love is still a powerful emotion and deserves to be experienced as such.

There’s one scene in the film where the characters discuss the nature of being closeted that particularly resonated with me as a transgender woman. When you hide who you really are from the world, it takes a natural, if not always visible, toll on your relationships. You can’t fully love someone unless you love yourself. Call Me By Your Name fully stakes out this territory as its own. Love is messy. Best to enjoy it with a strong helping of Sufjan Stevens, whose music is absolutely perfect for the film.

This Oscar season has more than a few legitimate contenders for Best Picture. The Shape of Water, Ladybird, and Three Billboards Outside Ebbing, Missouri are all deserving films which will make it challenging for Call Me By Your Name to win the top prize. As someone who’s still annoyed that Brokeback Mountain was denied its rightful win over the far inferior Crash, I’d especially like to see a truly great LGBT romance recognized as the masterful piece of art that it is. Regardless, the movie is a triumph for being unafraid to feel. Emotion isn’t always great and it isn’t always rational, but it’s better to allow yourself to experience it rather than to fight a losing battle of repression. History is full of people who lived their full lives hiding from who they are. Call Me By Your Name often shows the messy side of authenticity, reminding us that there’s beauty in joy as well as tears. Love wins.

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